Our ribbon tweeters, especially the coaxial versions used in our Coax and Master Line models, deliver exceptional resolution and spatial imaging. What’s particularly noteworthy is that we have been developing these tweeters entirely in-house for over 40 years – and we still manufacture them by hand at our facility in Horgen, Switzerland. The quality is, in our view, outstanding – not only acoustically, but also in terms of technical precision and minimal unit-to-unit variance.

Our aluminum enclosures, combined with internal damping and sandwich construction, ensure distortion-free performance – even at high volumes – and are a unique feature both acoustically and visually.

We generally recommend that customers first reach out to their dealer or national distributor for any questions or issues. These partners are trained and authorized to assist quickly and effectively. In more complex cases – or when customers contact us directly – we are, of course, committed to providing personal and dedicated support.

Additionally, we regularly invite customers to visit our headquarters in Horgen. During these visits – which include a tour of our production and personal consultation – very close relationships have developed, and in some cases, even real friendships have formed. We take pride in maintaining close and reliable contact, even after the purchase.

• “Queen Mary” – Francine Thirteen: For dynamics and tight bass, excellent at high volume.
• “Liberty” – Anette Askvik: For atmospheric depth and spaciousness.
• “The Headless Horseman” – Bobby Bass: Great for vocals and evaluating seamless transitions between multi-way drivers.

We experience excellent synergy with HiFi Rose electronics – both sonically and aesthetically. Setups with T+A or Cambridge Audio also pair beautifully with our speakers. And of course, there are no limits at the high end: just recently, I heard a large Burmester and McIntosh system driving our Coax 811 at a dealer – the result was absolutely stunning.