Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- The Q100s blend well into various decor styles thanks to its range of color options and 'democratic design', making them suitable for scenarios where large and bulky speakers are undesired
- The Q100s deliver a dry, well-balanced sound overall with impressive bass performance that rivals or even surpasses that of many floor-standing speakers within the Q100's sound pressure level limits
- The speaker delivers dynamics and the spunk of the music and sounds amazing, especially with voices
- The AMT tweeter holds up very well, providing highs that are never excessive, no matter the challenge
- They can take on much larger rooms and give you more sense of scale
Product Considerations
- The speaker's low 83dB efficiency can require some muscle from the amplifier to unlock its best performance
- At lower volumes, the Q100 can be less articulated than when playing at a bit higher volumes, requiring a little juice to really open up
- The Q100 is a large loudspeaker, which might dominate smaller rooms
- It's easier to connect speaker cables before attaching the stands
Comparisons (according to reviewers)
- Sound pressure level performance of the Q100 is significantly higher than Raidho TD1.2
Takeaway: The Q100 is a lifestyle-friendly designer speaker that excels in sound performance without compromising on aesthetics. It seamlessly blends into various decor styles, making it a unique and visually appealing option for music lovers who prioritize both sound quality and design.
All
Cue-100
reviews
Manufacturer details
- Description: Standmount loudspeaker
- Power handling: 250 W
- Tweeter: Air Motion Transformer, Kapton foil, Neodymium magnet
- Midrange/woofer: Purifi USHINDI 18 cm / 6.5-inch, aluminum cone, 39 mm 4-layer copper-clad aluminum voice coil on fiberglass former, Neutral surround geometry, die-cast vented basket
- Woofer: 2 x 18 cm / 6.5-inch passive radiator, Aluminum cone, Neutral surround geometry, Die-cast vented basket
- Enclosure: MDF, oak
- Frequency response: 35 – 22,000 Hz (-3 dB)
- Nominal impedance: 4 Ohm
- Sensitivity: 83 dB 2.83 v/ 1 m
- Crossover frequency: 2300 Hz
- Connections: Gold-plated speaker binding posts
- Dimensions (W x H x D): 350 x 513 x 329 mm /13,8 x 20,2 x 13 inches
- Dimensions with stand (W x H x D): 597 x 1196 x 520 mm / 23,5 x 47,1 x 20,5 inches
- Weight: 13,8 kg / 30.4 lbs
- Weight with stand: 16,2 kg / 35.7 lbs
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- The brand's digital amplifiers, underpinned by proprietary Equibit technology, minimize signal conversion for a cleaner, more direct signal path to the speakers.
- RoomPerfect technology allows Lyngdorf systems to analyze and adapt to the unique acoustic properties of any listening space, optimizing the sound for a more immersive experience.
Select products
MH-3
- Positioning: The entry-level speaker is compact, ideal for small stereo or media room installations.
- Description: Features a compact design, making it perfect for small spaces while still delivering dynamic performance. Uses a powerful 4-inch midrange driver with a magnet 50% stronger than traditional drivers, offering higher sensitivity and a linear frequency response. Compared to the FR-2 and Cue-100, it's more affordable and compact, making it suitable for those with limited space and budget, but lacks the advanced technologies and larger soundstage of the higher-end models.
FR-2
- Positioning: A mid-range floor-standing speaker designed for optimal wall placement.
- Description: Features a shallow cabinet design and high-performance woofers, providing tight and powerful bass when placed against a wall. Uses a downward-facing bass reflex port for consistent acoustic performance. While it offers better bass response than the MH-3, it doesn't match the Cue-100's advanced driver technology and customization options.
Cue-100
- Positioning: A high-end standmount loudspeaker aimed at audiophiles and design-conscious users.
- Description: Features Purifi USHINDI technology, which delivers ultra-low distortion and high sound purity. Its unique triangular design and customizable fabric covers offer both aesthetic appeal and acoustic excellence. Compared to the MH-3 and FR-2, provides superior sound quality and design flexibility.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
Our own amplifier technology sets our TDAI streaming amps apart. It is a so-called digital amplification which amplifies digital audio directly, without the common analogue conversions, signal paths, and side effects within the unit. We also have a unique, absolutely lossless way of volume control, whereas in most amplifiers the incoming music signal is attenuated.
Our second key innovation is RoomPerfect, available in our stereo and home cinema products. This calibration measures and addresses room acoustical issues, which affect even the best listening rooms, yet without linearizing and neutralizing the sound too much.
What's your approach to customer support?
Every Lyngdorf dealer can be contacted no matter where one bought the product, but we are proud to also offer direct support by our team here at the headquarters in Denmark. They have direct access to all Lyngdorf products in our demo and test rooms. Furthermore, a Backup function in our amplifiers and processors allows us to mirror customer settings remotely on our device, so we can literally look into it and give better advice — for example, for setting up or finding faults along the audio chain.
Last but not least, we can offer support and repairs even for the first Lyngdorf products made here decades ago, which includes a 24-hour burn-in test — not only to verify functions but to measure the performance-relevant specs. [email protected]
What are your favorite tracks for showcasing the strength of your products?
Three? You mean three hundred?
Odetta – Hit or Miss. This is an old but excellent recording from 1970. It requires a good system and room to make it sound realistic and alive. Listen for well-separated instruments, good timing, and a tuneful bass. Everything is alright production-wise, so any shortcomings rather come from the listening room and audio system.
Vestbo Trio – Italian Movie, Portuguese Wine. This is a reference for capturing the sound and dynamics of real instruments in a good recording studio. No compression or autotune involved. Listen for the space, soundstage, and realism as the song shifts up one gear. You should almost have the guys playing in your room.
Gidge – Quasar. Electronic music can be quite challenging because there are no microphones as a filter. Someone with a computer and synthesizer can just go crazy, and the audio system has to cope. This Swedish duo will test the limits of your speakers. Listen whether it sounds powerful yet pure and defined at the same time. This kind of music is rather done for clubs, so it requires good speakers, speaker placement, and ideally some degree of calibration to control the energy in a normal living room.
What other products pair best with yours?
One great advantage of our room calibration RoomPerfect is that it doesn't do what many other calibrations do — linearizing and neutralizing the sound, and therefore linearizing the characteristic sound of someone's chosen loudspeaker. What many Lyngdorf owners, dealers, and reviewers like about RoomPerfect is that it preserves what the speaker is good at, so there's real synergy here. No matter whether someone prefers a Dali, Bowers & Wilkins, Dynaudio, Sonus Faber, Spendor, or any other. Our amplifiers also have no problem driving low-impedance speakers, so really not much to worry about regarding system matching. The biggest challenge is the listening room.
Used
Lyngdorf
What if you spend more?
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Product Strengths
- Powerful and deep bass response for its size
- Clear and natural sound reproduction, with vocals being particularly noteworthy
- An 'all-in-two' system, the RIALTO includes a streamer, DAC, pre-amp, and amp, making it easy to set up and use, especially with the Cabasse StreamCONTROL app
- Effective room correction helps to optimize the sound for the listening environment
- Elegant design and build quality
Product Considerations
- The lack of seamless gapless playback between digital tracks requires a workaround or use of an analog source
- The RIALTO has a laid-back treble response, which may not appeal to listeners who prefer a brighter sound
- Potential for technical hiccups exists, because of the amount of technology packed into the RIALTO
- Many features are controlled with the mobile app
Comparisons (according to reviewers)
- The RIALTO provides a more balanced—and much more natural—listening experience than the Devialet Phantom II 98 dB Stereo
Takeaway: The Cabasse RIALTO is a compact and elegant audio system that offers powerful sound and a range of integrated features, making it a great choice for music lovers who want an easy-to-use and high-performing system. The sound quality and room correction allow it to adapt well to different listening spaces, offering an immersive experience.
Video review
Our take on the brand
Majestic Performance Meets Unparalleled Engineering The SuperMon Isobaric was created to bring about a revolution in the audio industry.Our latest innovation not only offers impeccable sound quality, but it combines it with a level of never-seen-before construction and engineering.The outer construction and cabinet consist of Metal, and aluminum in particular to ensure the most sophisticated sound quality possible. The large-diameter 7mm thick precision-machined aluminum front plate ensures linear frequency response and represents an extremely stable platform for the magnetic movement system inside.
Our summary
Product Strengths
- Build quality is second to none, using the best construction materials
- Very well-controlled midrange
- Excellent imaging capabilities
- All aluminum cabinets make for an impressive sight
- Good dynamic range, if given enough power to compensate for bass equalization
Product Considerations
- Depressed bass response below 100Hz, potentially requiring equalization
- Rough treble response on-axis that can be piercing with certain content, solvable by mild to no toe-in angle
- The effort involved in attaining a great sound from these speakers will inevitably be a turn-off for some people
- At 80 lbs each, users will need to be careful when handling these speakers
- The use of an isobaric design has likely caused more problems than it has solved in this instance
Comparisons (according to reviewers)
- The SuperMon Mini provides an incredible amount of detail to go with that superb imaging and soundstaging, while the LS3/5a has a natural tonality that's simply breathtaking
Takeaway: With EQ'd bass and correct placement, the SuperMon Isobarics can sound terrific—offering excellent soundstage and imaging. These speakers are for audio lovers to proudly display and will likely be the subject of conversation.
Video review
Our take on the brand
When Crystal Cable launched the original, glass cabinet Arabesque in 2009, the audio world was stunned by the performance of a speaker that sounded as clean and clear as it looked. The Arabesque shape of this groundbreaking loudspeaker was developed to prevent resonance and standing waves and to eliminate parallel walls and common dimensions, resulting in natural resonant decay without resorting to damping materials. This unique design and technology was then further perfected in the following Arabesque speaker models: the Arabesque Mini, the Arabesque III and the Minissimo.
Now, the new Minissimo Forte takes things to an even higher level. Crystal Cable's goal was to further refine the performance possible from a standmount loudspeaker, while maintaining its predecessor's beauty and compactness. An advanced new passive-active crossover has been added, alongside special fully balanced filter technology. Our unique MAD™ (Multiple Absorption and Dispersion) system and the new stable and decoupled stand further reduce cavity resonances, and improve sound quality. Together, this series of engineering improvements delivers superb sonic performance.
Development
With so much of the design right first time, the original Minissimo stand mount loudspeaker was a hard act to follow. So our engineers thoroughly analyzed the behavior of the loudspeaker using tools like COMSOL™ Multiphysics computer aided design facilities and our custom-made vibration measurement system. The decision was then taken to focus in on three specific areas where further improvements could be achieved, namely the speaker cabinet, stand assembly and crossover.
Developing the cabinet
One key design aim was to take the Minissimo's cabinet and support stand out of the equation, making them as acoustically inert as possible. This was done by identifying and then eliminating all vibration paths inside the speaker, by the fitment of a special layer of internal resonance-reducing material. This is unique in the field of loudspeaker design, and has further lowered cabinet noise as well as preventing extraneous vibrations between cabinet and stand.
Developing the crossover
For the 'passive-active' crossover design, our engineers benefited greatly from the spectacular results achieved while designing the Symphony loudspeaker of sister-brand Siltech, with which Crystal Cable shares all resources and production facilities. Most loudspeakers employ a passive separation filter using coils to provide the drivers with the correct signal, but this can cause non-linearity and dynamic compression of the signal. The passive-active filter used in Minissimo Forte eliminates these limitations by using frequency dependent components, which allows for much greater control of the sound, higher resolution of details in the music, and increases the dynamic range.
Our summary
Product Strengths
- The Minissimo Forte creates a palpably dimensional and believable representation of musical sounds, offering the most believable representation of a musical sound through a stereo system
- It communicates the dynamic life of music exceptionally well at lower playback levels
- Incredible resolution and coloration-free tonality
- The speakers play organically with excellent timbre, detail, and incredible soundstage
Product Considerations
- The owner's manual lacks detailed setup instructions regarding channel configuration
- Positioning the right and left speakers with the 'fat' part of the apostrophe on the outside results in a reduction in the seamlessness of the soundstage
Comparisons (according to reviewers)
- Compared to Harbeth, the Crystal Cable speakers possessed a skill—allowing even better insight into the recording
- Compared to BBC LS3/5a loudspeakers, the Minissimo Forte goes a step, or two, further in transparency
Takeaway: The Crystal Cable Minissimo Forte loudspeaker is excellent for audiophiles who want a high level of realism. These speakers are especially good in small and medium spaces with high-end electronics.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Solid bass performance for a speaker of its size
- Able to do justice to any genre of music and at realistic volume levels
- Very easy to drive
- Offers a balanced presentation from top to bottom with seamlessness between the woofer and tweeter
- Started sounding like far more than a pair of 8″ two-way monitors when properly positioned along the side walls
Product Considerations
- Achieving the best imaging and deep bass may require experimenting with toe-in and distance from corners and the back wall
- Does not provide much forward/backward information, with the image typically stopping at the outer edge of the speakers
- The basic 'D' model comes only in black ash veneer, while higher-end models offer more choices
- Bass can be overblown if not adjusted properly in room placement
Comparisons (according to reviewers)
- The AN-E has more bass, is easier to drive, and has a bigger presentation
- Some may prefer the J because they find it a more taught presentation in the mid bass, as well as more "present" in the voice band
Takeaway:
The AN-J is a near full-range loudspeaker capable of articulation and organic flow, making music sound natural and engaging. If someone is looking for a communicative quality that remains consistent wherever they listen, then the AN-J could be a good fit.
Video review
Our take on the brand
Our Summary
Product Strengths
- Balanced, refined, and musical performance
- Fine stereo imaging and a wide—beautifully focused—soundstage
- Impressive bass power and authority for a standmount speaker
- Excellent build quality and finish
- Uni-Q driver produces a consistent dispersion pattern
Product Considerations
- Demands an amplifier with plenty of power due to its low sensitivity (85dB/W/m) and 4 Ohm impedance (minimum 3.2 Ohms)
- Dedicated stands are expensive (S-RF1)
Comparisons (according to reviewers)
- Vs Bowers & Wilkins 805 D4: Sounds larger-scale, more muscular, and punchy
Takeaway: The KEF Reference 1 Meta is a superb speaker combining excellent sound with clever engineering, well suited for audiophiles looking for a high-quality listening experience. It delivers an immersive and detailed soundstage.
Video review
Our take on the brand
Our Summary
Product Strengths
- Adept at handling complex compositions and uncovering the finest sonic detail without losing track of the musical picture as a whole
- Gets listeners closer than ever to the artist's intent
- Excellent sense of detail, of boundaries naturally drawn
- High-frequencies sound realistic and natural
Product Considerations
- Low frequencies were somewhat lightweight
- With such a tipped-up tweeter, the resulting sound could be too bright
- Due to a lack of boundary reinforcement, Bowers & Wilkins speakers with top-mounted tweeters always drop off below around 5kHz
Comparisons (according to reviewers)
- Versus Magico A1, Magico A1 aim for pure neutrality
- Versus Dynaudio Confidence 20, Dynaudio Confidence 20 is for listeners who just want to enjoy their music
Takeaway: The 805 D4 makes music sound very realistic and clear, almost as if you are there. It can make a small room feel big with its sound.
Video review
Our take on the brand
Our Summary
Product Strengths
- Features a 1-inch pure beryllium inverted dome tweeter that rests inside its own chamber, which acts as a tuned resonator, and helps give the speaker its iconic profile
- The cabinet's shape helps to mechanically time-align the two drivers and optimize the phase between them
- Bass is firm, free of any distortion or boominess, and agile when driven correctly with a capable amplifier
- The speaker is neutral throughout the midrange, and clear, focused, and detailed
- Transparency to the music and resulting 3-dimensional soundstage that is boundary-defying in almost all directions, with dynamics close second only to the La Scala
Product Considerations
- For true full-range playback, a subwoofer is required
- The beryllium tweeter has the ability to showcase the flaws in poor recordings
- Sound improves the more upmarket the accompanying equipment is
- Amplification pairing is vital and can drastically change the sound
- Placement of these speakers in different spots in the room changed the sound drastically
Comparisons (according to reviewers)
- The Diablo's have more detail on tap but remain smooth and realistic, with the midrange being leaner but cleaner than the Fleetwood Deville SQ
- The Diablo will offer everything the Sonus Faber Sopra 1 does—and even more
Takeaway: The Focal Diablo Utopia Color Evo speakers are transparent and reveal details in music with incredible imaging, making for a fun listening experience. To hear all the nuances in music, these speakers could be a great choice.
Video review
Our take on the brand
Our Summary
Product Strengths
- Fantastic, clean, and clear orchestration, with no sibilance, and no hot top end
- Spectacular imaging and soundstage, very detailed, but buttery smooth; vocals are reproduced very well and are right where they need to be
- The Guarneri G5 delivers vocals with a richness and body that ensures they grab and hold attention without sounding enhanced or cartoonish
- Well-proportioned and packed with pleasing details; the metal sections joining the more traditional wood and leather are nice
Product Considerations
- Bass didn't go very far and was disappointing; low-end extension was lacking; a subwoofer may be needed to complete the experience
- The Sonus Faber Guarneri G5 is somewhat restrained at quieter listening levels; some of the scale and three-dimensionality is less apparent and can lack a little excitement
- The Guarneri G5 needs a reasonable amount of power to do its best work
- The Guarneri G5 stand is pricey
Comparisons (according to reviewers)
- Vs Guarneri Tradition: The mid-range of the G5 was more lush and the mid/treble transition smoother and more natural, and the bass delivery of the new Guarneris was noticeably more tuneful and better defined
- Vs Wilson: The Wilson is clinical in a good way; the Sonus Fabers are buttery smooth
Takeaway: The Guarneri is a beautiful speaker that brings joy by making everything sound more beautiful, especially vocals and violins, with a buttery smooth sound. If you love music, this speaker is worth considering, especially if you listen at healthy levels in a smaller room.
Video review
Our take on the brand
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