Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- Exceptional build quality with high-grade components
- Sophisticated 9' tonearm with premium bearings
- Included Ortofon 2M Red cartridge delivers an open, dynamic presentation with warmth
- Outstanding noise isolation properties
- Impressive speed stability
Product Considerations
- Manual speed change might not suit all users
- Larger footprint may require additional shelf space
Comparisons (according to reviewers)
- The Roundtable S represents a significant evolution, building upon the success of the Musical Fidelity M1 model, whilst introducing refined features
Takeaway: The Musical Fidelity Roundtable S is well-engineered and delivers a refined listening experience for vinyl enthusiasts looking to upgrade from entry-level turntables. It balances sophisticated design with exceptional performance.
All
Roundtable S
reviews

Manufacturer details
Performance
- Nominal speed 33/45 rpm, outside belt drive system, manual speed change
- Speed Variance 33rpm: ± 0.30 %, 45rpm: ± 0.20 %
- Wow and flutter 33rpm: ± 0.10%, 45rpm: ± 0.09%
- Signal to noise ratio Mechanical noise: - 39 dB
- Electrical noise: -65dB
- Downforce range 0 - 25 mN
- Tonearm 9'' straight shape massive aluminium construction
- Supplied counterweights no. 82, weight 114g (± 1g), for cartridges from 5 to 13g
- Effective tonearm mass 14g
- Effective tonearm length 230mm (tonearm mounting distance 212mm)
- Overhang 18mm
Power
- Power requirement 15V 0.8A (Adaptor supplied)
- Consumption >0.25 Watts standby 5 Watts maximum
- Adaptor mains voltage 110-240 V 50-60Hz
Weight
- Unit only, unboxed 6 kg (131/5 lbs)
- In shipping carton 8 kg (173/5 lbs)
Supplied Cartridge Ortofon 2M Red
- Cartridge type Moving Magnet
- Frequency Response 20 - 20.000 Hz + 3 / - 1 dB
- Channel Separation 22 dB at 1 kHz
- Channel Balance 1.5 dB
- Tracking Force 1.6 - 2.0g (1.8g recommended)
- Vertical Tracking Angle 20°
- Recommended Load Impedance 47,000 ohms
- Recommended Load Capacitance 150 - 300pF
- Output Voltage 5.5 mV (mV at 1 kHz, 5 cm/sec)
- Stylus Shape Elliptical
- Stylus Construction tipped Elliptical diamond
- Mount Half-inch
- Weight 7.2g
- Replacement Stylus 2M Red (exchangeable with 2M Blue and 2M Silver)
Dimensions
- Width 542 mm (23½”)
- Height (including feet) 100 mm (4”)
- Depth (front to back) Inc. terminals 342 mm (13½”)
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- They place a significant emphasis on achieving a distinctive, energetic sound, even at the expense of absolute neutrality, leading to a more engaging and enjoyable listening experience.
- Musical Fidelity often integrates advanced features, like sophisticated equalization or balanced inputs/outputs, into their designs to enhance versatility and cater to audiophiles' evolving needs.
Select products
V90-BHA
- Positioning: The entry-level balanced headphone amplifier in Musical Fidelity's lineup.
- Description: Offers excellent sound quality with balanced audio technology. Features balanced XLR inputs and outputs, which minimize noise and interference, providing a cleaner sound. This makes it ideal for users with a limited budget who want to enhance their headphone listening experience.
M2si
- Positioning: An affordable integrated amplifier designed for audiophiles seeking high-quality sound without extra features.
- Description: Delivers a pure and dynamic sound, drawing on technology from Musical Fidelity's premium models. Stands out with its fully discrete power amplifier and independent power supplies, offering a performance akin to a pre/power configuration in a single unit.
M8xi
- Positioning: A super integrated amplifier, positioned as a high-performance model in the M8 series.
- Description: Known for its powerful and articulate sound, featuring dual mono power amps and a high-quality DAC. It offers significant power output and low distortion. Provides extensive connectivity options, including digital inputs, catering to users with diverse system compatibility needs.
Nu-Vista 800.2
- Positioning: The flagship integrated amplifier in the Nu-Vista series, representing the pinnacle of Musical Fidelity's offerings.
- Description: Combines the unique Nu-Vista tube technology with modern design, delivering an exceptionally smooth and powerful sound. Features dual mono power amps and a locally decoupled output stage, providing remarkable stability and control over any loudspeaker.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
What's your approach to customer support?
Musical Fidelity (like other Audio Tuning brands) is structured in a pretty traditional way, whereby support and advice are best administered on a local level. Of course, they have a technical team positioned at HQ to help all their partners around the world, and in some more extreme cases you may need to be put straight through to this team. But it's the job of the distributor to support the territory in the best way it can.
What are your favorite tracks for showcasing the strength of your products?
I can tell you this, as we've done this recently for others. These are personal choices:
Simon Quarry – the chief designer – selected these three.
- Low Desert Punk – Brant Bjork
- Moon Love – Electric Moon
- Psychic Chasm – Ozric Tentacles
Heinz Lichtenegger – the brand owner – selected these two:
- Tosca – Puccini, Leontyne Price, Di Stefano, Taddei / Vienna Philharmonic with Herbert von Karajan (Decca, 1963)
- Don Juan – Richard Strauss, Tod und Verklaerung, Also Sprach Zarathustra / Vienna Philharmonic with Herbert von Karajan (Decca, 1960)
What other products pair best with yours?
This is a tough one! Partly because of the diverse range of products on offer from Musical Fidelity. For example, with the A1, we have a lot of success pairing this amp with Klipsch Heresy or Forte IV – but in smaller rooms, our own-brand LS3/5A are a wonderful choice. For Nu-Vista, we pair very nicely with Piega – which requires some deeper power reserves to really get going. So I would say it's very difficult to pair the sonic ID with one brand in particular. Musical Fidelity pairs pretty nicely with a wide range of products, giving customers a great degree of choice.
Used
Musical Fidelity
What if you spend more?
Azimuth & VTA AdjustmentThe newly designed tonearm base allows you to adjust both the azimuth and the vertical tracking angle (VTA). The tonearm height can be continuously adjusted by loosening the two grub screws. These settings give you the option of adapting the tonearm to height changes allowing the use of different turntable mats or other cartridges to always achieve the best sound quality. Setting and experimenting with the VTA & Azimuth is crucial in extracting every last bit of performance out of your cartridges.
Our summary
Product Strengths
- Adjustable metal feet, a heavier damped aluminum platter, and VTA adjustment for cartridge upgrades.
- Upgraded tonearm with carbon fiber and aluminum for better damping and higher effective mass.
- Well-built, and parts feel sturdy.
- A mildly warm and smooth midrange presentation that complements vocals, acoustic guitars, and string instruments.
- A well-balanced-sounding turntable.
Product Considerations
- Does not have a built-in phono preamp.
- As a belt-driven turntable, the belt may need occasional replacement.
- Lacks convenience features like auto start/stop and tone arm return.
- The anti-skate weight installation was kind of a pain.
- Bass response is not as agile, detailed, or dynamic as some other cartridges, like the Ortofon 2M Blue.
Comparisons (according to reviewers)
- Vs U-Turn Audio Orbit: Better built and uses more robust materials.
- Vs Fluance RT85: The Pro may use nicer components and have a more upscale finish, but the RT85 performs better.
- Vs Pro-Ject Debut EVO: The midrange is more relaxed, where the EVO sounds like it's trying too hard to perform.
- Vs Rega RP3: A wider soundstage and is sweeter in the upper mids.
- Vs Roksan Attessa: The midrange and treble don't reach the heights of the Roksan, but the bass has more weight.
Takeaway: The Debut Pro is a well-built turntable that offers an audiophile-grade experience, making it a great option for enjoying a record collection. Its design allows for future upgrades.
Video review
Our take on the brand
Our summary
Product Strengths
- Smooth and easy to use, making listening to records very accessible
- Delivers a rich and rhythmic performance
- Comprehensive set of features including built-in phono stage and Bluetooth connectivity
- Impressive sound quality, particularly with vocals and detail retrieval
- Classy and solid build quality
- Built-in phono stage makes it more versatile and easier to integrate into a wider range of systems
- Excellent pitch stability thanks to the direct-drive motor
- Easy setup
- High-quality cartridge included (Alva MC)
Product Considerations
- Bluetooth operation can be erratic or offer a lower quality sound compared to wired connections
- Some rivals offer more excitement and dynamic expression
- Limited upgrade scope
- The detachable headshell has slight free-play in the arm bearings
- Performance is better with a wired connection
Comparisons (according to reviewers)
- Vs Rega Planar 6: The Rega Planar 6 offers more rhythmic drive and dynamic expression, while the ALVA TT V2 offers convenience
- Vs Pro-Ject Xtension 10: The Alva matches the more expensive Pro-Ject deck for precision and focus, but the Pro-Ject gives a bigger, more voluminous sound that's slightly more open and less constrained
- Vs Technics SL1200GR: The Alva TT V2 is less effortlessly propulsive than the Technics
- Vs Pro-Ject Classic Evo: The Alva TT V2 has a more flowing presentation
Takeaway: The Cambridge Audio Alva TT V2 is a thoughtfully designed and well-made turntable, offering a great balance of convenience and performance, thanks to its built-in features like a phono stage and Bluetooth connectivity, making it easy to enjoy vinyl records without fuss. It is a great option for those new to vinyl or wanting a high-quality, user-friendly experience.
Video review
Our take on the brand
Dual direct drive concepts have been synonymous with outstanding durability and quality for decades. The CS 618 impresses with a quiet direct drive that keeps the platter speed precise and silent. The turntable's twin gimbal precision tonearm is further optimised by the Ortofon 2M Blue to deliver outstanding sound quality. Discover an even more precise and improved audio reproduction for a first-class listening experience. With an electronic motor stop and automatic lift at the end of the record, the CS 618Q offers the highest level of operating comfort for a manual turntable. In addition, there are the other comfort elements of the CS series. The stepless antiskating can be easily adjusted using a rotary knob with a clear scale. The electronic adjustment of the three speeds is conveniently carried out via a rotary switch, while the appropriate pickup can be easily changed using the headshell.
Our summary
Product Strengths
- Easy to setup and use
- Has auto-stop with auto-tonearm lift capability
- Features a rumble-free, quartz-stabilized direct-drive motor
- Solid build quality
- Comes pre-mounted with an Ortofon 2M Blue cartridge from the factory
Product Considerations
- The arm does not lift up very high
- Some reviewers wished the finish was more matte than gloss
- The included phono stage is merely okay, an external one is recommended for better sound quality
- The lead-out grooves on some records were too far from the spindle to trigger the auto-stop feature
- The dynamics are more safe than engaging
Comparisons (according to reviewers)
- Reviewers preferred the Dual over the Pro-Ject Debut Pro because of the 2M Blue cartridge and direct-drive convenience
- A reviewer preferred the Dual over the Fluance RT85 for its built-in phono preamp, better speed control, direct-drive, and auto-stop
- Both the Dual and the Technics SL-1500C are direct drive tables, but the Dual gives you more for your money because of the cartridge
- Rega Planar 3/Elys 2 rivals offer greater subtlety and more engaging dynamics and rhythmic drive
Takeaway: The Dual CS618Q is a well-rounded turntable that is easy to use and offers good features like direct drive and auto-lift. The sound is balanced and clear.
Video review
Our take on the brand
Our summary
Product Strengths
- The SL-1500C is easy to set up and use, making it a no-fuss option for beginners.
- Features a robust, well-engineered build quality and hefty, inert aluminum platter that rejects resonance.
- Includes a built-in phono stage that's considered very good and switchable, offering flexibility with different audio systems.
- It has precise timing and dynamics, sounding alive and expressive with sharp focus and energetic delivery.
- Features an auto-lift function that can be switched on or off for user convenience.
Product Considerations
- The tonearm lifting mechanism isn't as sturdy as the SL-1200, and could be improved.
- Some reviewers feel the stock Ortofon 2M Red cartridge may not be the best match, and recommend upgrades.
- While the built-in phono stage is good, dedicated outboard phono preamps can provide a significant improvement in sound quality.
- Some reviewers feel that the look isn't audiophile enough, because it retains the look of a DJ table.
Comparisons (according to reviewers)
- Vs Rega Planar 3: The Rega is subtler and more insightful, but the SL-1500C is crisper with better-defined leading edges and better bass.
- Vs MoFi StudioDeck: The SL-1500C offers a slight sonic shift in focus to upper register details and feels faster, while the MoFi has greater weight and richer timbre.
Takeaway: The Technics SL-1500C is a well-built, easy-to-use turntable that provides a great vinyl listening experience thanks to its robust design and precise sound. It's a great option for those wanting a fuss-free turntable with a built-in phono stage, with room for upgrades in the future.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Delivers a lively and immediate sound that is exciting and engaging
- Offers a wide variety of color options and finishes to suit different tastes and home decors
- Includes electronic speed control for easy switching between 33⅓ and 45 RPM records
- Has a well-made and solid build quality that inspires confidence
- Has quiet operation with negligible motor noise
Product Considerations
- The power switch underneath the plinth is slightly fiddly
- There's no in-built VTA adjuster
- Might lack a certain refinement
- Finishes are sheen colors rather than gloss (preference)
Comparisons (according to reviewers)
- Vs Rega Planar 2/Nd3, it counters with a beautifully fluid delivery and a particularly lovely and sweet-toned midrange
- Vs Rega Planar 3, it looks and feels like huge value, even when the price increase over the original Evo is taken into account
- Vs Pro-Ject Debut Carbon EVO, the new Debut Evo 2 improves on it in a number of ways—yet only costs a little more than its predecessor
Takeaway: The Pro-Ject Debut EVO 2 offers great sound and is easy to use, making it a fantastic way to enjoy vinyl records. With several color options and potential upgrades, it's a solid choice for anyone wanting a stylish and capable turntable.
Video review
Our take on the brand
Our Summary
Product Strengths
- Detachable headshell, defeatable preamp, and ability to disable the Bluetooth feature provide usability and upgradability
- Built-in phono preamp is based on the more expensive Duo and is dead quiet, providing great power filtering internally
- Has a sleek and contemporary look
- Good speed regulation system
- Can be easily upgraded with a better stylus tip when it's time for replacement
- Has Bluetooth aptX HD functionality
Product Considerations
- With the Audio-Technica cartridge, the soundstage was not as wide as a digital source
- An upgraded power supply did not make any audible difference in sound quality
- There is no azimuth or tone arm height adjustment
- The tonearm bearings could be better adjusted for less play
- Connecting the Alva ST using Bluetooth is like other units where there's no visual system to decide what to connect to
Comparisons (according to reviewers)
- Alva ST has a simpler moving magnet AT95E cartridge, a die-cast aluminum platter, and is belt-driven instead of direct drive, making it half the cost, compared to the Alva TT V2
- The Dual CS 618Q costs a little more than the Alva ST, has no Bluetooth, but does come with an Ortofon 2M Blue pickup and is fully automatic
- The Pro-Ject Debut PRO undercuts the Alva in price and spec, offers a similar minimalist design, and 78 rpm, but lacks Bluetooth and the overall heft
Takeaway: The Cambridge Audio Alva ST turntable is a well-built, flexible turntable that offers both classic analog connectivity and modern Bluetooth streaming. It is a great buy for those looking for a belt-driven table with a built-in preamp that can be upgraded later on.
Video review
Our take on the brand
Our Summary
Product Strengths
- Solid build gives a sense of confidence when operating it
- Fantastic anti-vibration feet
- Digs down deep and cleanly, and doesn't struggle with low notes
- Presents a holographic image and a wide soundstage
Product Considerations
- The dust cover is a smoky color, obscuring the view of the turntable components
- The record clamp is essential and is not part of the standard package
Comparisons (according to reviewers)
- Compared to the Technics SL-1500C, the StudioDeck offers a weightier and more compelling sound
- Compared to the Rega P3 (2000) with the Nagaoka MP-110 MM Cartridge, the MoFi StudioDeck offered greater detail and clarity throughout the frequency range
Takeaway: The StudioDeck+U is a great turntable that offers a solid and detailed performance. It is easy to set up and use, making it a great choice for people looking to get started with vinyl or upgrade from a midrange player.
Video review
Our take on the brand
Our Summary
Product Strengths
- Solid and heavy MDF plinth
- 'Smooth, dynamic, and plentiful in the bottom end' sound with a mid-range that doesn't present resonance or colorations
- High-end features like a carbon fiber arm and the possibility to adjust the VTA
- Built-in phono amplifier for MM cartridges that works really well
- Aluminum platter doesn't present any play on the spindle, and is very stable
Product Considerations
- The knob to switch between 33 and 45 rpm is too close to the cartridge, so care is needed when operating
- The TT-4 was slightly faster
- The manuals of the TT-4 do not mention speed adjustment or the possibility to adjust the VTA
Comparisons (according to reviewers)
- Vs Pro-Ject Debut Pro: The Argon's way of presenting music is similar
- Vs Technics SL-1500C: The Argon turntable sounds fuller, and the bass is more prominent
Takeaway: The TT-4 is well-built, easy to use, and can be connected to anything from a small table speaker to a larger stereo system. With its balanced and clean tones, the TT-4 is suitable with many music genres.
Video review
Our take on the brand
Our Summary
Product Strengths
- Resonance mitigation is a key focus, with a solid plinth and thick glass platter to minimize vibrations
- The tonearm tested 'perfectly' and performs at a level expected on more expensive units
- The T2 Superphono has a well-designed built-in phono stage that is comparable to Pro-Ject's entry-level phono stage, the Box S2
- The T2 comes with high-quality E-Series RCA cables, not flimsy generic cables
- The T2 Super Phono comes with a pre-aligned Sumiko Rainier cartridge
Product Considerations
- The T2 W's phono stage cannot be disengaged, so the turntable shouldn't be connected to the phono input of the amplifying component
- The T2 Super Phono table's lack of absolute separation of singers and instrumentalists was consistently evident
- When streaming from the T2 W simultaneously to multiple devices, the streams were out of sync by a second or more
- The feet on the T2 W are not height-adjustable, so the turntable must rest on a level surface
- The T2 W does not stream lossless audio to all UPnP devices
Comparisons (according to reviewers)
- The T2 Superphono's built-in phono stage was surprisingly similar to the Pro-Ject 2 Box S2, with the Tube S2 being a little warmer
- The Cambridge Audio Alva TT V2 was more incisive and provided greater insight into Jarrett's playing, low notes were thuddier and less authoritative on the T2 W, and everything was a little more blurred
- The T2 has a thicker glass platter, longer and more rigid tonearm, spring-based anti-skating compensation, and electronic speed control
- The Pro-Ject Debut Line is a higher-level series than the T Line, therefore, it had more bite and texture
Takeaway: The T2 is a turntable with a focus on reducing unwanted vibrations and resonances, which makes it a worthwhile upgrade for those seeking better vinyl playback quality. With its tonearm and included cartridge, the T2 provides great value.
Video review
Our take on the brand
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