What's unique about the brand
Brand overview
Start with the speakers. The 300SEI makes about 11 watts a channel, and Harley paired it with Infinity speakers of high sensitivity. If your speakers are harder to drive, the SLI-80HS integrated uses four tubes in push-pull and has a switch for Triode or Ultra-linear operation. Edgar Kramer of SoundStage! Australia suggests Ultra-linear, the more powerful setting, for speakers of moderate efficiency or low impedance, and Triode for a sweeter, richer sound. Ken Micallef of Stereophile heard the SLI-80HS throw a layered soundstage that "sounded practically 3D." Steve Huff ranks the bigger SLI-100 among the best amps he has heard with Klipsch Heritage speakers. The SLP-98 preamp has been in production since 1998, and Steve Guttenberg hears it "right in the middle" between tube and solid-state sound. For the most power, the solid-state SI-300.2D makes 300 watts a channel, and Pursuit Perfect System heard warm bass it called "bouncy or rounded."
Had grew up with ham radio and held a license at 11. As a teenager he saved his paper-route money for a 300B while his friends bought 6L6s, and he still had that tube when Stereophile interviewed him in 1995. He founded two RF companies and sold the second in 1983, then walked into a new high-end store in Cary, North Carolina, and was surprised to find brand-new tube amplifiers for sale. The owner asked him to repair some, and Had decided he could build better ones. He and his wife Donna founded Cary Audio Design in 1989 and named it for the town, and new Cary gear is built in nearby Raleigh. Ken Micallef writes that Conrad-Johnson and Audio Research repopularized tubes in the US in the 1980s and that Cary "brought SET designs to the mainstream in the early '90s." Art Dudley credits Had with making "SETs that were safe for the world," with a load switch, a balance control and a headphone jack.
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Products overview
Cary tube amplifiers use hand-assembled wiring, and several switch between Triode and Ultra-linear, so one amp suits quiet nights and louder sessions. The SLI-100 is the entry, an integrated with 100 watts per channel and a headphone output, so one box covers speakers and headphones. The CAD-120S MkII adds balanced XLR inputs, so it pairs with a balanced preamp such as the SLP-05. The CAD-211FE monoblock delivers up to 150 watts, enough to drive demanding speakers in a big room.
- Start here. A first tube buyer with one pair of speakers and a subwoofer should take the SLI-100, which has four inputs and a subwoofer output.
- Sweet spot. The CAD-120S MkII gives a button choice of 60 watts for a richer late-night sound or 120 for more dynamics, plus balanced inputs the SLI-100 lacks.
- All in. The CAD-211FE is priced well above the CAD-805RS and is a different design, balanced with up to 150 watts instead of single-ended 50, so big speakers get more power in reserve.
Product list
What reviewers are saying
We read all the reviews, and here's what stands out:
- Cary Audio's products are often described as possessing a uniquely alluring "musicality" and "vibrancy", making them a favorite among dedicated music lovers.
- They offer a choice of operating modes (Triode or Ultra-linear) in their amplifier designs, allowing listeners to tailor the sound to their preference.
- Cary Audio equipment often provides great value compared to other elite brands, offering high-end performance at a more accessible price point.
Quotes we liked:
- "The SLP-05 is detailed, yet never in your face. It is more revealing than anything I have experienced, and yet never in a ruthless way that screams analytical and cold." (https://www.positive-feedback.com/Issue25/cary_slp05.htm)
- "It was like I was taken to a different planet where the music was all that mattered, and musicality reigned supreme. This was musical heaven." (http://www.stevehuffphoto.com/2022/04/08/the-cary-slp05-tubed-pre-amp-review-2022)
- "With the Cary DM-800PV, the result couldn't be described as anything other than beautiful sounding. It had the refinement and aura that I am used to hear with competently designed tubed amplifiers - the Cary's sound was physical and saturated, it's just that there were no tubes inside." (http://www.audiodrom.net/en/component/element/detail/35-digital-sources/883-cary-audio-dms-800pv-vs-dms-650)
- "The music of any low-frequency instrument—be it a Paul Chambers bass run, an Elvin Jones drum pattern, or a bass drum or tympani thwack, say, from Analogue Productions' knockout 45-edition of The Power of the Orchestra (also reviewed in this issue)—was conveyed a rare sense of dynamic limberness, as well as tonal and textural complexity. Given these strengths, it should not surprise that the Cary combination excels at vocal reproduction." (https://www.theabsolutesound.com/articles/cary-audio-slp-05-linestage-preamplifier-cad-211-fe-monoblock-amplifiers-tas-205-1)
- "With vocals, a HDtracks 24/44.1 download of London Grammar's Hey Now was stunning, with the AiOS able to project a solid and palpable image of Hannah Reid's luminescent voice, layered with instruments above, below and behind. Bass was fulsome given the warm tonal balance, but never seemed excessive." (https://audiofi.net/2018/04/cary-audio-aios-all-in-one-and-one-for-all)
Used
Cary Audio
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