Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
All
Mira Ceti Mono
reviews
Manufacturer details
- Type: stereo vacuum tube amplifier
- Max. output power: 1 x 15W
- Circuit type: PSE parallel single ended
- Output impedance: 4Ω / 8Ω
- Inputs: 1 x RCA
- Harmonic distortions THD: < 0,1%
- Frequency response: 12Hz-60kHz (-3dB)
- Power consumption: 115W
- Bias adjustement type: Automatic
- AC fuse: 3,15A T
- Net weight: 19,5
- Dimensions: 420x380x220mm
- Tubes: 300b x 2 (power output), 6SN7 x 2 (pre-amplifier and power drivers)
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- Fezz Audio leverages its parent company, Toroidy.pl, a specialized transformer manufacturer, to create unique toroidal transformers specifically designed for their tube amplifiers, a departure from the more common E-I core designs.
- The brand often presents a sonic profile that balances traditional tube warmth with clarity, detail, and accurate frequency response, resulting in a sound that appeals to both tube enthusiasts and those seeking a more neutral presentation.
- Fezz Audio uses readily available and relatively inexpensive tubes such as EL34s, KT88s and 12AX7s while retaining great performance, making tube replacement affordable.
- They offer a range of customization options, such as different colors, Bluetooth connectivity, or home theater inputs, at an affordable price, allowing customers to tailor their amplifier to their specific needs and preferences.
Select products
TORUS 5060
- Positioning: A complete solid state integrated amplifier offering modern connectivity for everyday home audio.
- Description: It stands out with its built-in DAC, Bluetooth 5.0 streaming, and multiple digital and analogue inputs, a feature not seen in the tube-based models. In comparison to the power amplifiers and tube preamplifiers, it serves users with smaller rooms or multimedia setups at a more approachable price point.
FEZZ TITANIA KOPIA
- Positioning: A versatile power amplifier offering both stereo and mono operation for flexible use.
- Description: It features dual-mode output (2×45W in stereo and 1×90W in mono) with an efficient push-pull design that delivers full-bodied yet neutral sound.
FEZZ SAGITA PRESTIGE
- Positioning: A tube line preamplifier introducing fully balanced XLR connectivity to the lineup.
- Description: It uses a balanced circuit with hand-selected vacuum tubes to offer warm, immersive tones and precise signal definition, a unique feature among Fezz products.
FEZZ MIRA CETI 300B EVOLUTION
- Positioning: A single-ended tube amplifier designed for authentic analogue reproduction with a focus on midrange clarity.
- Description: It is distinguished by the use of toroidal speaker transformers that deliver a saturated midrange and solid bass response, a rarity for single-ended designs. Compared to the higher-end Lybra, this model offers a balanced tube character ideal for those seeking true analogue warmth on a moderate premium while still providing robust dynamics.
FEZZ LYBRA 300B EVOLUTION
- Positioning: A high-end tube amplifier crafted for the most demanding audiophiles seeking superior tube sound quality.
- Description: It uses an unprecedented PSE structure with custom toroidal transformers and delayed anode voltage switching to ensure extended tube life and a spacious, linear soundstage, features not found in other models.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
One of the key technological innovations that differs Fezz from other manufacturers is the usage of patented toroidal output transformers in our tube amplifiers. While most tube amplifier manufacturers rely on traditional EI-core transformers, we design and build our amplifiers around custom toroidal output transformers. This results in lower magnetic leakage, much improved bandwidth, and more precise bass control—qualities that are not easy to achieve with conventional designs.
Secondly, we strongly believe in balancing modern engineering with classic tube sound. Our amplifiers are meticulously tuned to retain the musical warmth and dynamics that tube enthusiasts love, while also delivering the clarity, stability, and efficiency demanded by today's high-end audio systems.
What's your approach to customer support?
We handle customer support through a dedicated network of authorized dealers and distributors, who are the first point of contact for our customers. However, we also encourage direct contact with us if a customer needs additional help or feels their issue requires further attention. Our team is always ready to support end users with technical advice, service coordination, or general questions.
What are your favorite tracks for showcasing the strength of your products?
Great question! Music is the key to everything we do.
Melody Gardot – Worrisome Heart
Stacey Kent & Jim Tomlinson – So Nice
John Lee Hooker – Susie (feat. Johnny Winter)
Katie Melua – Piece by Piece
These tracks aren't just technical tests—they're emotionally engaging, which is exactly what we want our amplifiers to bring out in every listening session.
What other products pair best with yours?
We especially love pairing our amplifiers with Klipsch, and next is the Polish brand Pylon.
Used
Fezz
What if you spend more?
An amplifier designed for the most demanding enthusiasts of 300B tube sound. The unprecedented PSE structure operating in class A was built using the highest quality toroidal transformers, designed especially for this amplifier. This guarantees linearity and wide frequency response. Extended tube life is ensured by delayed anode voltage switching. The unique tone of the 300B tubes is free, spacious and very involving.
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Our summary
Product Strengths
- Neutral and transparent sound, more so than the reference amplifier
- Bass performance is remarkably tight, articulate, solid, and weighty, without typical 'tube character'
- Very good rhythmic capabilities
- Maintains control even with inefficient or difficult speakers
- Threads a fine middle path between a typical transistor sound and a typical tube sound—with an unmistakable midrange charm
Product Considerations
- Some might find it 'not characterful enough' because it is superbly even-handed
- With some speakers, the balance can be a little too lean and overly controlled
- Its low power rating ultimately imposes a limit on how loud one can play, which may not suit everyone
Comparisons (according to reviewers)
- Vs Ayon Spirit III: The Lybra sounds almost as powerful and robust in the bass while being perhaps even tighter and articulate, and is more highly refined with subtler and airier treble
- Vs Trafomatic tube amps and MP's Jadis amplifiers: The Lybra offers something different, it's not as voluptuous, rich, and relaxed as the Trafomatic
Takeaway: The Fezz Lybra is a neutral and controlled amplifier that offers a balanced sound without sounding like a typical tube amp, providing articulate bass and a charming midrange. It could be worth buying if you like very good sound, especially if you have efficient speakers.
Video review
Our take on the brand
The Audio Note (UK) CONQUEST Mono Power Amplifiers are Pure Class A Parallel Single Ended valve amplifiers that use a pair of the highly regarded 300B triode valves per channel, producing a level of performance that is radically superior to the vast majority of current designs. They have been specifically engineered for sonic performance rather than technical specification, and fulfil all Audio Note (UK) Level 3 criteria: - Pure Class A operation Zero Negative Feedback Single Ended Output Stage Valve Rectification Directly Heated Triode operation Materials and component quality
The Silver version builds upon the already superb performance of the standard CONQUEST, and features the following component upgrades: - Audio Note (UK) AN-V internal cable Audio Note 1 Watt Tantalum film resistors Audio Note (UK) Copper Foil signal capacitors Audio Note (UK) IHiB Double C-core output transformers
The Silver Signature version builds upon the already superb performance of the standard CONQUEST, and features the following component upgrades: - Audio Note (UK) AN-Vx internal cable Audio Note (UK) 2 Watt Tantalum film resistors Audio Note (UK) Copper Foil signal capacitors Audio Note (UK) SHiB Double C-core output transformers
Our summary
Product Strengths
- Classic single-ended triode amplifier that caresses vocals and conveys warmth in vocal recordings
- Delivers rock-solid image placement and transparency, particularly in the midband
- Acts like a higher-wattage amplifier than its 18W rating suggests
- Can drive speakers that aren't absurdly sensitive
Product Considerations
- Build quality is not as refined as the more expensive Japanese-made Audio Note products
- Bass can be waffly/uncontrolled
- Top-end frequency performance can vary
- May not impress those familiar with higher-end Audio Note amplifiers
Takeaway: The Audio Note Conquest is a single-ended triode amplifier that can provide a lush, sweet midband and is more powerful than its specifications suggest. It offers single-ended triode performance at a more accessible price point.
Video review
Our take on the brand
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The Little Nugget is meant to pair with the stereo pre and provide a no compromise entry into bespoke audio. With 17watts you can run nearly any speaker practically in most rooms. Fantastic pairings include JBL L100, KEF LS50, Tekton double impacts, Zu Dirty Weekend 6s, Klipsch Fortes, LS3/5a, Harbeth 30.1s.
The Stereo 17 (Little Nugget) is an EL84 ultra linear amp with 17 watts of tube bliss. 2 EL84 tubes in push-pull configuration per channel with 12AX7 for input and a 12AU7 for the phase splitter. The Stereo 17 is based on the famous Halfer circuit with cathode bias allowing trouble free operation. 8ohm and 4ohm taps with 8ohm and 16ohm combination as an option.
The circuit used is widely famed for its stability and liquid midrange. With fixed bias, tube rolling is a breeze. The removable tube cage protects your tubes when family and pets cant be trusted. The Stereo 17 produces perfectly stable 17 watts RMS with 22watt peaks.
The output transformers utilize massive cores which resist saturation and deliver jaw dropping low end performance. Like all ampsandsound amplifiers, it is dead quiet with reliable performance. When we say dead… we mean put your ear to the mouth of your horn-loaded system and all you will hear is silence!
Product Strengths
- Metal chassis provides better ergonomics and structural integrity compared to the previous wood chassis
- Robust power supply prevents compression, even with demanding speakers
- Has full bandwidth down into the low 20s without problem
- Warm lush midrange and the right 3d spatial cues up top
- Fast, accurate, proportionate sound that is warm but not dry or analytical
Product Considerations
- The reviewer mentioned they are going to work on adding name badges to the next versions
Takeaway: The amplifier is great sounding with a robust power supply. Its proportionate and warm sound makes it ideal for nearfield listening.
Video review
Our take on the brand
Product Strengths
- Creates an extraordinarily vivid sound
- Has the seeming ability to turn up the contrast knob on everything passed through it
- Offers great color and body
Product Considerations
- When playing very loud passages at extravagant volume levels, it clipped less elegantly
- Bass output was just a bit excessive
Comparisons (according to reviewers)
- Surpasses the Haut-Brion in terms of color saturation
- The Haut-Brion has a somewhat better sense of scale overall, is capable of greater delicacy when needed, and sounded a shade righter, timbrally, on trumpets and singing voices
- The Haut-Brion offered the more well-balanced bass, relative to the volume of sound in the rest of the audible range—the Haut's bass was also drier and a little more detailed
Takeaway: The Shindo Montille CV 391 is a hand-wired tube amp that delivers vivid and colorful sound, making music come alive. It's a great match for less sensitive speakers and offers a unique listening experience.
Video review
Our take on the brand
What competes at this price?
Our Summary
Video review
Our take on the brand
Our Summary
Product Strengths
- Beautiful and elegant design and high build quality
- Delivers a true single-ended triode sound field, offering enormous delicacy and a full organic sound presentation
- Simplifies the process of using tube amplifiers with automatic bias control
- Sound is concentrated in the midrange, dense, saturated, and organic
- Offers a variety of color options without an extra cost
Product Considerations
- Requires careful speaker matching
- The on/off switch's location on the back might be awkward
- The acrylic glass on the front of the tube cage might be scratched easily and its mounting is questionable
- May not be ideal for hard rock due to a tendency to smooth out some of the pain
Comparisons (according to reviewers)
- Vs Unison Research Triode 25: The Unison has more interesting, bolder, more dynamic, transparent, and engaging sound
- Vs Unison Research Preludio: The Mira Ceti has better design, build quality, and sound performance
Takeaway: The Mira Ceti 300B is a beautiful amplifier that provides a delicate and organic sound, especially when paired with the right speakers. It's a great option for anyone looking for a quality tube amplifier.
Video review
Our take on the brand
Our Summary
Video review
Our take on the brand
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Our Summary
Product Strengths
- Detailed and airy treble provides a holographic and three-dimensional soundstage
- Musical, transparent, and realistic mid-range
- High-quality internal components are used, including expensive capacitors
- Class A performance with less heat compared to some other Class A amps
- Well-constructed and uses parts sourced from North America
- Only has RCA inputs, no balanced inputs
Product Considerations
- Bass quality may be perceived as loose or lacking control compared to some other amplifiers
- Pairing with the right preamp is crucial to achieve desired sound characteristics
Comparisons (according to reviewers)
- Vs Pass Labs XA-25, the TS-A20 has more detail and air in the treble, while the XA-25 is warmer and richer in the mid-band
- Vs AGD AGR2, the TS-A20 is richer and warmer, while the AGR2 has better bass articulation, quickness, and separation
Takeaway: The Galleon TS-A20 is a well-built Class A amplifier known for its detailed, airy sound and holographic imaging. It's a great option for listeners seeking a transparent and realistic sound signature with quality components.
Video review
Our take on the brand
Our Summary
Product Strengths
- Uses a Static Induction Transistor (SIT), which has characteristics similar to a triode vacuum tube
- It expands and opens up soundstage, with a gorgeous sound and great midrange, with voices sounding present and full-bodied
- The amp holds a conversation with the speaker, letting it 'have it your way'—rather than forcing its own sound
- It's spectacular on tone complexity, spatial hydration, fleshiness and vividness, making it sound off-charts organic, elastic and tangible
- The main aspect that positions it noticeably above all other amps is immersion, making music three-dimensional, material, enveloping
Product Considerations
- The SIT-4 is a limited production piece due to the limited availability of the Tokin SIT transistors
- The power output is limited (10 watts into 8 ohms, 5 watts into 4 ohms), so it's not a universal amplifier
- It is not ideal for speakers that require a lot of power, like Magnepans or electrostatic speakers
- The power switch is located on the rear of the unit
- Runs very hot
Comparisons (according to reviewers)
- Vs First Watt SIT3: It sounds cooler in tonal balance and has more 3D imaging and body
- Vs Pass Labs XA-25: It sounds more immersive, while the XA-25 is sharper and more focused
- Vs First Watt F7: SIT-4 felt more gathered, punchier and texturally juicier, the F7 was more diffused, innocent, icier, leaner and color-wise opaque
- Vs Elekit TU-8900: It is more rugged and expressive, while the TU-8900 presents recordings more aesthetically
Takeaway: The SIT-4 is a specialized amplifier that produces great sound with the right speakers, with beautiful tone and expands the soundstage. It's a good option for people who like tube amps but want a solid-state amplifier.
Video review
Our take on the brand
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