Product Strengths

• Ample power with minimal distortion
• Audionet's ULA (Ultra-Linear-Amplifier) technology, originally developed for medical engineering
• Impressive dynamic prowess and the ability to plumb the hidden depths of CDs and LPs
• Subtle musical and instrumental details come through cleanly and coherently, without compromising life-likeness of tone colors and harmonic expression
• Exceptional bass reproduction, with a rich, detailed, and uniform low end

Product Considerations

• Positive and negative speaker terminals are close together, requiring caution when connecting speaker cables
• Balanced input use involves an op-amp, which some believe impacts sound quality, single-ended inputs are preferred by some
• A preamp should be used to get the best sound from these amplifiers
• Display text changes locations randomly, which some may find distracting

Comparisons (according to reviewers)

• The Burmester sounded cleaner, airier, and more revealing, but could not quite compete with the AMP II MAX in authority over the bass frequencies and in blackness of the background
• The Pass Labs was tonally rich and pleasurably soft, plus the amp gave an extraordinarily punchy presentation, in that it bettered the performance of the AMP II MAXes, on the other hand, it was rather general in the organization of the soundstage and the background wasn't quite as black as with the AMP II MAXes
• Plinius shone in resolution, as well as delivered exceptionally dimensional soundstage and very neutral overall sound, especially in Class A mode, however, it did not have the same punch as the AMP II MAXes, and the sound wasn't equally gentle
• The McIntosh MC-501 delivered a richer and warmer sound, but with less power and extension than the AMP II MAX

Takeaway: The Audionet Max monoblocks offer a powerful and refined listening experience, making music sound engaging and detailed. Their ability to control speakers and reveal nuances in recordings makes them a great choice for serious audiophiles.

Product Strengths

• Neutral and grain-free sound, not like typical solid-state or tube amplifiers.
• Powerful and articulate bass, seamless and smooth mids, and extended, non-harsh highs.
• Exceptional build quality and a luxurious feel with immaculate laser-cut detailing and silver anodizing.

Product Considerations

• The glitzy appearance might be divisive.
• High-quality source components and speakers are required to perform at its best.
• The unit is large (almost 50cm wide) and very heavy (32kg), requiring a sturdy rack and careful handling during setup.

Takeaway: The Burmester 911 mk.3 provides exceptionally intricate, powerful, and dynamic sound, making it a very refined amplifier that is a treat for your ears. It is a top-performing amplifier made with great craftsmanship and build quality.

Product Strengths

• Incredibly nimble, with every detail highlighted, providing an extra layer of resolution
• Delivers all of the detail and clarity without the traditional fatigue
• The balanced input transformer properly sums the positive and negative legs of the balanced signal, and in so doing retains much of the benefits that you normally achieve with fully balanced amps—noise rejection
• The distortion numbers are exceptional for a tube amplifier
• Compatibility with nearly every commercially available speaker, due to the support of three impedances (4 ohms, 8 ohms, and 16 ohms), and output power exceeding 60 watts with KT88s, and 80 watts with KT150s

Product Considerations

• There are no modern reproductions of the 12BY7A, requiring matched pairs to run the amplifiers
• The bias is fixed—it's selectable between settings, but dialing in the distortion could not be simplified further
• Heavy at nearly 100 lbs each, as there's a lot of iron in both the transformers and the chassis work
• A hint of tube noise was present in one channel when no music was playing, likely specific to the tubes used
• Not a wise choice to any planer but complex crossovers and difficult loads have not compressed the amp in testing

Comparisons (according to reviewers)

• Vs ampsandsound Zion Monos: The Arch Monos are more neutral, faster, and provide an extra layer of resolution, compared to the richer and more harmonic sound of the Zions
• Vs TAD: The Arch is clean, powerful, and has many characteristics of very good solid-state amp, though the TAD approach was similarly neutral in many ways, albeit with a lightning quickness that the Arch did not have

Takeaway: The ampsandsound Arch Monoblock amplifiers are a technically proficient and beautifully built amplifier that delivers exceptional detail and clarity without fatigue. If one wants a vintage but modern sound, the Arch Monoblocks could be a good choice.

Product Strengths

• Completely balanced and DC-coupled
• Uses the Class A 'X-Amp' input stage technology from the 159
• Has a high damping factor over the entire frequency range and a very wide, distortion-free Class-A range
• The thermal concept uses 'universal heat pipes' to keep temperatures constant and low, increasing the lifespan of the amplifier
• Signal processing reaches the input signal unaltered via silver cables

Product Considerations

• The Burmester visual aesthetic will not please everyone
• Power needs are consistently overestimated, and this amp has 100Wpc continuous into 8 ohms
• The single-ended RCA inputs are not available on the back panel, unbalanced input requires an adapter

Comparisons (according to reviewers)

• Vs Burmester 911 Mk 3: The 216 adds extra depth, precision, control, and ability to 'wig out' bass, also more reactive and dynamically dynamic
• Vs Burmester 911 Mk 3: The 216 is the more liquid sounding of the two, is more dynamic, has better bass definition and control, a more even sounding treble, a more open midrange, a keener sense of rhythm

Takeaway: The Burmester 216 is a musical chameleon that is carefully and meticulously crafted, it will bring the best out of any genre. Its utter lack of electronic character is a huge plus, making it a worthwhile consideration for any audiophile.