Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
All
Classic-2
reviews
Manufacturer details
- Gain: 27 db
- Maximum output: 9.5 Vrms
- Distortion: less than .15% THD
- Bandpass: 2 Hz to more than 100 KHz
- Hum and Noise: -98 dB relative to 2.5 V output
- Tube complement: 1 x 6922
- Optional Phono Stage Gain: High Gain 54 dB, Low Gain 40 dB
- Phono Equalization: within +/- .25 dB of RIAA standard
- Hum and Noise Phono Stage: 80 dB relative to 10 mV input
- Phono Stage Tube Complement: 3x 12AX7 for High Gain, 2x 12AX7, 1x 12AU7 for Low Gain
- Dimensions: 13.625D x 19W x 3.625H inches
- Weight: 14 lbs net
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- Conrad-Johnson consistently prioritizes musicality and a natural, engaging sound signature over clinical accuracy, aiming to draw listeners into the emotional core of the music.
- They use simple circuit designs with minimal feedback and carefully selected high-quality components, such as proprietary Teflon capacitors and Vishay resistors, to achieve exceptional sonic purity.
- Conrad-Johnson products are built to last, with a robust construction, readily available replacement tubes, and a reputation for long-term reliability, making them lasting investments.
- The brand caters to both high-power and high-grace preferences by offering both high-wattage push-pull designs and lower-wattage Class A triode amplifiers.
Select products
Conrad-Johnson Classic 62 and Classic 120
- Positioning: The entry-level high-fidelity tube amplifiers in the Conrad-Johnson lineup.
- Description: Offers a warm and engaging sound, featuring a simple circuit design with EL34 tubes that provide 60 watts per channel, making it ideal for small to medium-sized rooms. In comparison, the Classic 120 doubles the power output with additional tubes, offering 125 watts per channel, which is better suited for larger spaces or more demanding speakers. Both models include built-in bias indicators for tube adjustments, making them accessible for those new to tube amplifiers.
ART150 and ART300 Amplifiers
- Positioning: Limited edition amplifiers designed for audiophiles seeking high-end performance, celebrating Conrad-Johnson's 40th anniversary.
- Description: The ART150 uses KT150 tubes to deliver 150 watts per channel, suitable for those who desire a powerful yet refined sound. The ART300, as a mono-block amplifier, doubles the power output to 300 watts.
ART27A and ART108A Amplifiers
- Positioning: Reference-level amplifiers, crafted for the most discerning audiophiles with limited production numbers.
- Description: The ART27A uses KT88 tubes in a Class A triode configuration to produce 36 watts per channel, perfect for highly efficient speaker systems in intimate settings. The ART108A, with its 160 watts per channel output, is designed for larger rooms or less efficient speakers.
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Used
conrad-johnson
What if you spend more?
Our summary
Product Strengths
- Offers much of what conrad-johnson learned with the GAT preamplifier, providing high performance at a lower budget
- The ET3SE's phonostage is essentially the TEA-2SE, offering great phono performance
- Strikes a perfect balance with a hybrid design, being extremely quiet and providing healthy tonal contrast, yet powerful and controlled
- Makes music collection come alive, especially after an hour or two to fully warm up
- Offers great sound, top build quality, and immense flexibility
Product Considerations
- The SE model with Teflon capacitors takes around 500 hours to sound its best
- Has only a single-ended design, complete with RCA jacks for inputs and outputs
- Only has one pair of main outputs, a second pair would be nice for those who use a powered subwoofer
- Remote is a stripped-down plastic model compared to billet aluminum remotes of higher-end conrad-johnson preamplifiers
- The non-SE versions have a somewhat warmer tonal balance with less extension at the frequency extremes
Comparisons (according to reviewers)
- The ET3SE offers about a quart and a half of the GAT's sound for less than a quarter of the price
- Given that the TEA2SE outboard phonostage is $4,000, the ET3SE's level of phono performance is amazing
Takeaway: The ET3SE is a great choice if you want high-end sound at a more affordable price. It is built well, sounds fantastic, and gives you a lot of flexibility for enjoying your favorite music.
Video review
Our take on the brand
Product Strengths
- Offers a versatile range of adjustments, including nine input impedance choices and four gain options, to match various cartridges
- Offers three different equalization curves (RIAA, Decca London, and American Columbia), unusual for phono stages in its price range
- Produces a clean, smooth, lucid, and well-balanced sound that is uncolored and neutral, allowing for greater transparency and speed
- Musical, smooth, coherent and dynamic, with a very good pace, rhythm, and timing
- Touchscreen interface is easy and intuitive to use
Product Considerations
- Moving magnet capacitance is set at 220pF and is not adjustable
- Some reviewers express concern about potential RF interference from the digital display affecting the analog circuitry, particularly with sensitive MC cartridges
- Instrumental images may be smaller than with other phono stages
- May sound a little weightless compared to significantly more expensive phono preamps
- Reviewers note the forthcoming PSU-5 power supply
Comparisons (according to reviewers)
- Compared to a similarly priced phono stage, the Gold Note PH-5 provided greater insights into how Miles Davis played each note, and was more full-bodied and dynamic
- The Pathos In the Groove was more spacious and shapely sounding but lacked the PH-5's sense of control and smoothness
- Compared to the Gold Note PH-10, there's a remarkably similar sound, with a tad more weight to recordings played through the more expensive PH-10
- The PH-5 sounds closer to the GrandiNote Celio MK IV—a bit richer, smoother, and more saturated—whereas the ESE Lab Nibiru is more about speed, precision, and transparency
Takeaway: The Gold Note PH-5 is a versatile phono stage that sounds musical and natural. It provides many options to adjust the sound, and it is an affordable way to get great performance from vinyl records.
Video review
Our take on the brand
Product Strengths
- Straightforward, high-quality preamp that does everything asked of it, very well
- Includes tone control knobs for bass and treble to personalize the listening experience
- Allows turntable users to switch between moving magnet (MM) and moving coil (MC) modes
- Features seven source audio inputs, a front-panel 3.5mm headphone jack, Bluetooth 5.1, optical and USB inputs, as well as a phono stage for turntables
Product Considerations
- Bluetooth 5.1 connectivity, while present, is not super high resolution compared with Wi-Fi and may not appeal to those seeking a more robust streaming experience
- Has no balanced inputs
Comparisons (according to reviewers)
- Against Rotel's RC-1572 MKII, the Adcom GFP-915 wins in many audiophile categories, such as a lower reported total harmonic distortion and noise floor
- The Schiit Freya S stereo preamp at $599 is another solid, no-frills audiophile option that can compare to the Adcom GFP-915
- The NAD C 3050 integrated amp's HDMI switching, internal DAC, Bluetooth 5.4 and phono stage might sway one to spend a few hundred more dollars than the Adcom
Takeaway: The Adcom GFP-915 is a traditional stereo preamp that delivers quality performance and offers a range of useful features for audiophiles. It is a worthwhile option for those seeking a simple and effective way to manage audio sources and volume control.
Video review
Our take on the brand
Product Strengths
- Features a fully discreet headphone amplifier built-in that sounds good
- Offers flexibility with passive, low gain, and high gain settings, not commonly found at its price point
- Build quality feels good, with a nice textured black finish
- Features a precise 128-step attenuator for accurate left-right balance, unusual for a $699 preamplifier
- Features a metal remote with volume, mute, and input selection
Product Considerations
- One reviewer experienced the Kara going into protection mode and muting the sound when adjusting the volume quickly—requiring a power cycle to resolve
- One reviewer said they prefer the RCA input and output sound
- XLR inputs for stereo mode are not available
Comparisons (according to reviewers)
- Vs Schiit Freya S: It replaces the Freya S and has significant upgrades, including a headphone jack and a more powerful power transformer
- Vs Pass Labs HPA1: The Pass Labs is a better-sounding pre-amplifier and headphone amplifier overall, but is significantly more expensive
Takeaway: The Kara preamplifier offers great flexibility with gain options and a good-sounding headphone amplifier. It's a well-built component that could be a good addition to an audio setup, especially if clarity is valued.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Good sound quality, warm with lows and highs present, and a quiet noise floor
- Supports both Moving Magnet (MM) and Moving Coil (MC) cartridges
- Adjustable gain settings to match different cartridge output levels
- Metal construction for durability and shielding
- Offers DIY upgradeability with a socketed op-amp that can be swapped to change the sound signature
Product Considerations
- The ground post is positioned close to the power input, which can be inconvenient
- To power it off, one must press and hold the power button instead of pressing it quickly to turn it on, which is not intuitive
- Lacks a headphone jack
- Does not have a subsonic filter or capacitive loading switch
Comparisons (according to reviewers)
- Compared to the Schiit Audio phono preamp, the Fosi Audio Box X5 is on par or better than the Schiit Audio phono preamp generation one version
Takeaway: The Fosi Audio Box X5 is a great value phono preamp that provides good sound quality and versatile features for both MM and MC cartridges. It is a solid choice for anyone looking to upgrade from a built-in preamp or start with their first turntable.
Video review
Our take on the brand
Our Summary
Product Strengths
- A very low noise floor, even with high gain settings for moving coil cartridges
- Various gain settings for moving magnet and moving coil cartridges, making it versatile
- An 'intelligent' subsonic filter effectively reduces rumble without negatively impacting bass frequencies
- A balanced 4.4mm output, which is uncommon in phono stages at this price point
- Impressive sound quality for its price, including a wide soundstage and good dynamics
Product Considerations
- Large diameter RCA plugs may not fit due to the small chassis
- The number of load settings is stated inconsistently across sources, with some stating four and others stating three
- Connecting RCA and balance output together simultaneously to two different amplifiers can result in noticeable humming noise
- One reviewer mentioned a 'clinical' sound that might pair better with warmer cartridges, though this was addressed by changing the setup
Comparisons (according to reviewers)
- The ZEN Phono 3 has a wider soundstage and better dynamics than the iFi Zenfone Stage
- The ZEN Phono 3 has deeper bass than the Accuphase AD-60, but slightly less clarity and definition in the bass region
- The ZEN Phono 3 delivers a larger, beefier—and more rhythmic sound than the built-in phono stage in the U-Turn Orbit Special
- The ZEN Phono 3 produces significantly less noise than the Musical Fidelity M5SI phono stage
Takeaway: The ZEN Phono 3 is a valuable phono stage that provides a clean and dynamic sound, along with features typically found in more expensive units. It is especially useful for those looking to upgrade from a basic phono stage or for vinyl enthusiasts who want to explore different cartridge types.
Video review
Our take on the brand
Our Summary
Product Strengths
- Offers a full feature set including balanced XLR inputs and outputs, typically found in more expensive units
- Provides remote control functionality for adjusting gain, loading, and filters from the listening position
- Delivers detailed, clean, and modern sound reproduction, with good transient clarity and precision, and quiet backgrounds
- Offers versatile settings for both Moving Magnet (MM) and Moving Coil (MC) cartridges
- Improves system sound, adding clarity and a warmer feel compared to budget options
Product Considerations
- Some users experienced a static or buzzing noise in the left channel, with inconsistent severity
- The initial balanced input tests revealed D.C. issues, causing speaker drivers to alarmingly suck in and out
- The unit's physical aesthetics are not particularly eye-popping or luxurious
- The tiny silkscreened letters and icons associated with the front panel LEDs might be difficult to read
- May not be ideal for systems already on the lean side, as it might not add warmth
Comparisons (according to reviewers)
- Vs Schiit Manny, the Skoll is much quieter
- Vs Michael Yee PFE1, the Skoll has less hum and more hiss
- Vs Fosi Audio Box X4, the Skoll has better clarity
Takeaway: The Schiit Skoll is a versatile and feature-rich phono preamp that delivers impressive sound quality and customization options. It can be a great upgrade to get more enjoyment out of vinyl records.
Video review
Our take on the brand
Our Summary
Product Strengths
- True balanced connections reduce noise and increase detail, dynamics, and musicality
- Settings are easily adjustable on the front panel, including impedance, capacitance, and gain
- Well-made metal chassis is compatible with both MM and MC cartridges
- Discrete circuits are used in its gain stages, which Pro-Ject believes delivers the best sound
- Offers both single-ended (RCA) and balanced (XLR) inputs and outputs
Product Considerations
- Balanced cables are required for optimal performance if using balanced connections
- Relay switching causes a time lag when switching impedance, capacitance, or gain
Comparisons (according to reviewers)
- The Lehmannaudio Black Cube had more power in the low end, while the Pro-Ject tended toward a drier character
Takeaway: The Phono Box S3 B is a well-designed phono stage offering balanced connections, making it a great choice for those wanting to upgrade their vinyl listening experience. The adjustable settings and solid build quality make it a versatile and worthwhile addition to any system.
Video review
Our take on the brand
Our Summary
Product Strengths
- Cohesive, lively, and musical performance
- Expressive dynamics and good insight
- Strong rhythmic drive
- Quality of build and finish is perfectly fine for the money
- Adds some warmth to the sound, along with vitality—with the right cartridge
Product Considerations
- Only cosmetic changes over the previous generation
- Only compatible with moving magnet cartridges
- Treble could be a bit sweeter
- The review mentioned a feel of a cheap Chinese amp, and the power button feeling cheap
- Matching well with the right cartridge is critical to get the best sound
Takeaway: The Rega Fono MM Mk5 offers a strong and engaging performance for the price, making music sound lively and fun. It's a great choice if one wants to enhance their vinyl listening experience with a moving magnet cartridge.
Video review
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