Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- Incredibly attractive and natural midrange, especially beneficial for long listening sessions
- Wonderful soundstage that fills the room and offers impressive dynamics
- Reproduces the body, resonance, and sustain of acoustic instruments better than any other DAC that the reviewer has heard
- Gives the music a sense of presence, air, body, life—and intimacy
- Tube rolling allows for fine-tuning the sound to suit the listener's tastes and system matching; swapping tubes produced clear changes to the balance of the sound
Product Considerations
- The build quality was underwhelming to one reviewer, considering the price
- Produces a comparatively soft and loose rendition of the music, compared to solid-state DACs
- Can sound slightly less precise, controlled—and analytical compared to the best solid-state DACs
- LampizatOr's website states that their five-year warranty may be invalidated by swapping tubes without written approval of the types of tubes users intend to use
- Sounded more digital-like than tube-like, according to one reviewer
Comparisons (according to reviewers)
- Wife's immediate reaction was that the Lampizator Baltic 4 sounded notably more natural and realistic
- Compared to the Simaudio Moon 780D, and DACs from Chord Electronics, the Baltic 4 produces a comparatively soft and loose rendition of the music
Takeaway:
The Lampizator Baltic 4 could be a good option for those wanting digital music that sounds more natural, vivid—and intimate because it gives the music a sense of presence, air—and body. Use is also entertaining and enlightening.
All
Baltic 4
reviews

Manufacturer details
- PCM: 384 kHz
- DSD: x256
- Output impedance: 200 ohm per phase
- Output level: 2 Vpp (low gain) or 6 Vpp (hi gain) @0dB
- Tube Compliment: 2x 5963 JAN (or ECC802), 2x 6N8PA (or CV181-T or 6H8C or 6SN7GT), one rectifier DHD: 5U4G or 274B or 5C3S or 5Y3 or GZ37 or 5R4WGB
- Digital Inputs: USB, SPDIF, TOSLINK and AES/EBU
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- LampizatOr products, particularly DACs, are designed with a high degree of tube rolling flexibility, allowing users to significantly alter the sound signature by experimenting with a wide variety of tube types and brands.
- LampizatOr products are often described as possessing a uniquely organic and natural sound, often producing a three-dimensional soundstage that avoids digital harshness.
- The brand distinguishes itself by using directly heated triodes (DHTs) in its designs, which are notoriously difficult to implement, but, according to LampizatOr, provide superior sonic performance.
- They offer a generous trade-in program, allowing owners of older "Golden" series products to upgrade to newer models at 100% of their original list price.
Select products
Amber 5 DAC
- Positioning: The entry-level digital-to-analog converter, designed to offer high-quality sound at an accessible price point.
- Description: Delivers impressive audio performance, featuring copper output capacitors and a tube rectified power supply with CLC filtering. Unlike higher-tier models like the Baltic 4, offers a true balanced option and an analog preamp of high quality, making it suitable for users seeking affordability without compromising on essential features.
Baltic 4
- Positioning: Sits between the Amber 5 and higher-end models, providing a balance of performance and value.
- Description: Offers a true balanced topology with four monophonic channels, one for each phase of stereo sound, enhancing audio fidelity. Compared to the Amber 5, includes a fully tubed, directly heated dual diode rectified power supply and supports PCM up to 384 kHz and DSD256.
Atlantic TRP
- Positioning: A mid-tier DAC designed for tube enthusiasts who appreciate the flexibility of tube rolling.
- Description: Allows users to experiment with various power tetrodes and pentodes, offering a customizable sonic experience. Unlike the Baltic 4, uses overkill power tubes instead of small signal tubes, providing greater dynamics and authority in sound reproduction.
The Golden Atlantic TRP
- Positioning: An enhanced version of the Atlantic TRP, incorporating premium components for improved performance.
- Description: Includes upgraded chokes, capacitors, connectors, and other boutique components, elevating its build quality and sound. Compared to the standard Atlantic TRP, offers a more refined audio experience.
The Big Seven mk3
- Positioning: A high-end DAC featuring an output stage based on directly heated triode tubes, offering a unique audio experience.
- Description: Uses directly heated triode tubes like 45, 2A3, or 300B, directly coupled to the DAC chip without any series components, ensuring purity in sound reproduction. Unlike the Golden Atlantic TRP, provides an output stage with no series components between the DAC chip and the output.
The Golden Gate 3
- Positioning: A premium DAC that expands upon the Golden Gate series with significant upgrades for enhanced audio performance.
- Description: Features a redesigned PCM engine, supports DSD512, and includes an auto-switching capability between formats. Compared to the Big Seven mk3, offers a revised power supply scheme and improved volume control implementation.
The Pacific DAC
- Positioning: The former flagship model, representing the pinnacle of their DAC technology prior to the Horizon series.
- Description: Incorporates a unique tube conversion output with single-ended triode, directly heated triode, and active dynamic tube anode loading. Unlike the Golden Gate 3, includes a new USB and LAN computer interface with a preinstalled ROON bridge.
Poseidon DAC
- Positioning: Bridges the gap between the Pacific and Horizon series, offering high-end performance at a more accessible price point.
- Description: Sharing substantial DNA with the Horizon, offers customizable aesthetics and a vast array of tube options. Features innovations like a new remote control, OLED display, and record-breaking impedance levels.
Horizon 360 DAC
- Positioning: The current flagship model, showcasing their latest advancements in digital-to-analog conversion technology.
- Description: Introduces a new conversion chip with a completely redesigned PCB, enhancing sound quality over the Pacific DAC. Supports i2S via HDMI without needing a master clock and can be configured for DSD1024, though it is currently limited to DSD512.
Our take on the brand
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What if you spend more?
Product Strengths
- Startling clarity
- An extraordinarily clear view of the 'reality' of the recording
- Subtlety is exposed, which made listening a fuller, more complex experience
- Sound quality is unmatched in terms of technology, design, build and finish
- A very fluid, massive and somewhat dynamic soundstage
Product Considerations
- The dCS Mosaic app is starting to feel clunky
- Basic display
- Some holes when it comes to features
- Audiophile sound is mostly faint clouds hovering between boxes
- It is wished the streamer had Wi-Fi compatibility, but dCS sees this as compromising on sound quality
Comparisons (according to reviewers)
- Vs Denafrips Terminator Plus—it replaced the Denafrips Terminator Plus
- Vs Chord Dave DAC—the Chord Dave gets very close in sound to the Lina, but the Dave leans a bit leaner and sharper where the dCS Lina is fuller, thicker, smoother with more density
- Vs Weiss 501—the dCS is a smooth sounding DAC indeed, but it is not one of those that sound overly smooth, the Weiss 501 sounds closest to an in-studio experience, where we get the master tape kind of sound
- Vs HiFi ROSE 150b—the ROSE feels and looks to be built to a similar level (at least the outside), and is gorgeous as well, it's not nearly as refined or together in the DAC department when comparing it to upper echelon products
- Vs dCS Bartok Apex—compared to the Bartók Apex, the Lina's sound (without the Master Clock) had a slightly different textural quality, not coarser or finer grained but as though performers were viewed under a different quality of light, the Lina's light felt slightly more brilliant than remembered with the Apex and maybe 3o cooler
Takeaway: The Lina DAC is a small but very technologically advanced DAC and delivers music with a bonafide life-force behind it. This DAC brings a larger soundstage and bigger sound to the room and is well worth the cost if you have a system that can stand toe to toe with it.
Video review
Our take on the brand
Product Strengths
- The MU2 is an all-in-one device combining a Roon core/endpoint, DAC, preamplifier, and headphone amplifier
- Major DAC provides exceptional digital music reproduction, described as 'the best... by an obvious and distinct margin' and more 'lifelike'
- Offers a very quiet background and deep, wide, layered soundstage with stunning holographic reality
- The analog preamplifier section is high quality, described as Class A throughout, with ultra-low harmonic distortion
- Excels in revealing copious amounts of detail throughout the frequency range and making a deep emotional connection
Product Considerations
- Roon is required to operate the MU2 (although Grimm is reportedly working on another option)
- There is no wireless connectivity, requiring an Ethernet connection
- Some reviewers found the MU2 to be 'polite' or 'calm', which may not suit all preferences
- Parts are allegedly not worth the price
Comparisons (according to reviewers)
- vs AURALiC ARIES G1.1 + Totaldac d1-triunity/Mola Mola Tambaqui—MU2 provides more fully fleshed out sound
- vs Grimm MU1—the MU2's integral implementation and direct internal connection give it an advantage, sounding more expansive and expressive
- vs Aqua Formula xHD DAC—the MU2 is calmer and more composed, while the Aqua is upfront and explicit
Takeaway: The Grimm MU2 is a versatile, all-in-one music player that delivers exceptional sound quality for digital music, and it simplifies your system by combining a streamer, DAC, and preamp. It is designed to bring you closer to your music with its impressive detail and engaging sound.
Video review
Our take on the brand
Product Strengths
- Delivers an engaging and emotionally charged performance with rhythmic drive and articulate rendering of dynamic shifts
- Excellent build quality
- Streaming platform is stable and capable of dealing with all file types with ease
- Offers state-of-the-art sound quality with everything from online streaming services and Internet radio all the way through to hi-res music stored on your home network
- The output stage is Naim's preferred balanced impedance type, but they prefer the DIN route for normal cable lengths
Product Considerations
- No USB (Type B) input
- The manuals are a little scant on detail
- The signal level out of the balanced XLR sockets (2.1V) is the same as the single-ended connections, rather than double, as it usually is
- Some found the new white logo lighting (instead of the traditional green) to be a negative
- There is not enough space under the sharp cooling fins for fingers
Comparisons (according to reviewers)
- Vs NSC 222: The NSS 333 justifies its price premium with even better sound quality
- Vs Naim ND 555/555 PS DR: The Naim NSS 333 delivers a significant chunk of the ND555/555 PS DR's performance at a fraction of the price
- Vs Moon 681: The NSS 333 delivers admirable precision and stability in the way it places instruments and sounds, though the Moon 681 produces more in terms of soundstage width
- Vs Naim NDX: The NSS 333 offers significantly more air and space in the recording, a greater sense of detail, and a notably natural and unforced delivery
- Vs NDX2: The new player sounds better and closes the gap with the flagship ND555 player, at least when the high-end machine is used in its basic single power supply configuration
Takeaway: The Naim NSS 333 is a musically satisfying music streamer with excellent build quality and the ability to convey emotion. It combines detailed, richer sound with a slick and user-friendly experience.
Video review
Our take on the brand
Our summary
Product Strengths
- Known for analog-like qualities in dealing with transcoding zeros and ones
- Conveys low-level musical complexity and subtle spatial nuances that other DACs have difficulty with
- Produces voices that expand in three dimensions with a refreshing sense of presence, reminiscent of vinyl reproduction
- Returns energy to the music, instead of taking it away
- Reproduces details and anchor points with refreshing vividness, presenting the actuality with the least fragmentation of the sound image
Product Considerations
- A single-ended into a balanced pre configuration caused occasional static, making image difficult to discern during those moments
- Clarity could be improved on very complex choirs and instruments, and more separation would also be beneficial
- The attack on drums is slightly slow—perhaps medium paced—compared to some DACs
Comparisons (according to reviewers)
- Compared to CH Precision C1.2 DAC, the DAC III is more emotionally involving, while the CH Precision sounds markedly cooler, flatter, and more emotionally restrained
- Compared to aqua acoustic quality Formula xHD, the Formula xHD retrieves detail, bass precision, articulation, and transparency better, while the DAC III is airier, more fluid, and more refined
- Compared to Holo Audio May, the attack on drums is slightly slow—perhaps medium paced—and behind the Holo Audio May as well
Takeaway: The SW1X Audio Design DAC III Balanced has a musicality that makes it worth considering. It expresses music in a way that is closer to analog, with a natural transparency and higher degree of contrast.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Exceptional build quality
- Incredible bass
- Good soundstage
- Great connectivity options
Product Considerations
- It's a very pricey DAC, even at the "entry-level"
Takeaway: Upgrades to the Lampizator Golden Atlantic TRP DAC have been made. The soundstage and build quality of the Lampizator are excellent.
Video review
Our take on the brand
Our Summary
Product Strengths
- Exceptional sound quality is achieved with precise and accurate reproduction, enhanced clarity and depth
- Versatile input options include S/PDIF, TOSLink, AES/EBU, BNC, USB, and optional HDMI, offering compatibility with various digital devices
- Excellent build quality is exhibited in its solid, retro-German appearance with high-quality materials
- Separate PCM and DSD processing use path separation technology with independent converters optimized for each media type
- Effective de-jittering employs T+A's De-Jitter Masterclock to minimize timing errors from connected digital components
Product Considerations
- A network audio input is absent, limiting standalone use without the MP200 music player
- Limited analog connectivity means the desired balanced analog input could enhance the preamplifier section's capabilities
- Remote control is reported to be far from intuitive, despite its solid build
- Output voltage in fixed mode may be lower than expected, requiring the use of the variable output setting
Comparisons (according to reviewers)
- Compared to iFi Pro iDSD, the DAC 200 outperforms as a reference
- Compared to Linn Organik series DACs and MSB Premier DAC, the lush playback recalls more expensive options
Takeaway: The T+A DAC 200 is a versatile and high-performing DAC with many inputs that delivers great sound quality. Its robust build quality and comprehensive features make it a great choice for audiophiles seeking a top-tier digital-to-analog converter.
Video review
Our take on the brand
Our Summary
Product Strengths
- Excellent sound quality with detail and an expansive soundstage
- Functions as a preamplifier with both digital and analogue inputs and analogue volume control
- Features Direct Data Recording (DDR) technology using a memory buffer to reclock audio data
- Has a dual-chassis design with copper shielding for electrical isolation
- Gains greater clarity and clout with everything from driving rock to complex classical music
Product Considerations
- The AURALiC control app (Lightning DS) is only compatible with Apple iOS devices and not Android
- Has only one analogue input, which might be limiting for some users
Comparisons (according to reviewers)
- Vega G2.2 preferred to a DAC that cost 5x more
Takeaway: The Vega G2.2 is a great streaming DAC and preamplifier that is easy to use. It can be slotted into a system to immediately bring more clarity, soundstage, and depth to music.
Video review
Our take on the brand
Our Summary
Product Strengths
- Completely redesigned interior with 90% new electronic components and cutting-edge technologies elevate performance
- New 'Purer-Power' low-noise linear power supply, with twice the capacity of the previous version and an even lower noise design, ensures a clean and stable power supply
- Upgraded Tesla G3 streaming platform is eight times faster than its predecessor
- New Direct Memory Access (DMA) technology connects the audio input and output directly to the processor, helping to reduce latency and jitter by a claimed 90%
- Lightning DS App is considered excellent and second to none for library and playlist management, and is extremely fast and responsive
Product Considerations
- The Lightning DS app is only available on Apple iOS devices, which may be limiting for Android users
- The digital filter options within the Lightning DS app are considered marginal
- A reviewer missed the Vega/Altair selection knob from previous models for menu management
- The benefits of the ARIES G2.2 may only be fully realized with a high-quality system, making it a significant investment
Comparisons (according to reviewers)
- Compared to the ARIES G2.1, the G2.2 offers a significant upgrade in performance with demonstrably lower noise, more detail, and a larger—more detailed—image, almost doubling the amount of musical data revealed
- Melco was more open and with better timing, while AURALiC had a smaller image, deeper bass, and possibly stronger bass
- Adding the ARIES G2.2 to the VEGA G2.2 allows the VEGA G2.2 to relax slightly
Takeaway: The AURALiC ARIES G2.2 is a high-end streamer offering a clear upgrade over previous models with a focus on reducing noise and increasing processing power, perfect for detail and nuance. With excellent software and solid construction, it is a great foundation for a top-tier system to enjoy music.
Video review
Our take on the brand
Our Summary
Product Strengths
- Praised for ultra-transparent sound, accurately converting digital signals into music with no digital signature, resulting in a natural and authentic sound
- Built with extensive noise-suppressing technology to boost clarity and performance
- Provides a very detailed sound without sounding etched or overly detailed
- Delivers a sound geared for well-developed tone, round edges, softness, moisture, hefty bass, density, and a pitch-black background
Product Considerations
- Uses a generic Apple remote, which is functional, but not custom-designed
- Sounds a little on the dark side of neutral
- The analog output only comes with RCA connection
Comparisons (according to reviewers)
- Has a naturally weightier, rounder disposition, while the Lampizator Pacific is quicker, more open, and energetic
Takeaway: The Aavik D-180 is a DAC that focuses on delivering a transparent and natural sound by minimizing noise and accurately converting digital signals. This DAC can hold its ground against competitors if you like the Aavik sound.
Video review
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