Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
All
P1 (MC)
reviews
Manufacturer details
- Dimensions: w250mm x h65mm x d205mm
- Power Supply: 50va
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
Select products
NVA P50 MKII Passive Preamplifier
- Positioning: Entry-level line, designed for simplicity and musical transparency.
- Description: Praised for its completely passive design, which ensures high musical transparency and simplicity. Unlike the more advanced models like the P50SA, it offers a basic yet effective solution for those who want to maintain a pure signal path without active components. This makes it ideal for users with a limited budget who prioritize a straightforward setup in small to medium-sized rooms.
NVA S80 Stereo Power Amplifier
- Positioning: Mid-range amplifier, suitable for bi-amping setups.
- Description: Designed for bi-amping tweeters, offering a low-power solution with excellent results when paired with the right speakers. It stands out from higher-end models like the S300 by focusing on specific bi-amping applications.
NVA Artisan S300 Stereo Power Amplifier
- Positioning: High-performance stereo amplifier for serious audiophiles.
- Description: Offers a significant upgrade with its high-quality Toroidy transformers and dedicated power supplies, providing excellent musical transparency and dynamic ease. Compared to the S80, it delivers more power and is suitable for a wider range of speakers.
NVA Artisan M600 Monoblock Power Amplifiers
- Positioning: Premium monoblock amplifiers for ultimate performance.
- Description: Features twin power supplies per channel, offering greater transparency and dynamic ease, especially with demanding speakers. Unlike the S300, these monoblocks provide dedicated power for each channel, enhancing separation and detail.
NVA Integrated Amplifier in Satin Matt Case
- Positioning: Flagship integrated amplifier with a focus on versatility and power.
- Description: Features a new satin-matt finish and upgraded power supplies, offering 70 watts of power with a premium volume pot for optimal signal purity. It combines the functionality of separate components like the P50 and S300 into a single unit.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
What's your approach to customer support?
What are your favorite tracks for showcasing the strength of your products?
What other products pair best with yours?
Used
NVA
What if you spend more?
Our summary
Product Strengths
- Still in use in a system to date
Product Considerations
- One user found an MFA Classic V2 lackluster and fairly bass light, and preferred the P50SA MkII
Comparisons (according to reviewers)
- Vs MFA Classic One: The MFA Classic One was superior to a P50 (not the SA MkII) in terms of dynamics, scale, detail, and bass weight
- Vs MFA Classic V2: One user found the P50SA MkII preferable, as they found the MFA Classic V2 lackluster and fairly bass light
Takeaway: The P50SA MkII is worth considering because one user chose it over the MFA Classic V2. It could be an interesting listen.
Video review
Our take on the brand
Our summary
Product Strengths
- Ultra-low noise with remarkably quiet backgrounds and effortless transparency
- Delivers Al Harewood's delicate brush work with an outstanding balance of brush "edge" and "swish"
- Clear and distinct sound, with a soundstage that is tall, wide, and deep
- Natural and matter-of-fact nature, one that doesn't feel processed or constrained in any particular way
- The V10 is a highly musical phonostage that resolves fine details, honors tonal colors, and allows the dynamic life in music to breathe at levels that belie the unit's modest price
Product Considerations
- Adjustments to capacitance, gain, and impedance are accomplished by means of a bank of DIP switches on the rear panel, which can be a bit confusing
- The instruction manual states it's possible to set impedance "freely between 50 and 550 ohms" and add 6 addition dB of gain, but to do so contact your Hegel dealer for more information
- Not as versatile as the PS Audio Stellar
- The V10 does not try to mask physical imperfections on the record
Comparisons (according to reviewers)
- Vs Simaudio MOON by Simaudio 610LP—the Hegel V10 performs so well in comparison to the much more expensive 610LP as to be encouraging
- Vs Aurorasound VIDA Prima—the Hegel V10 seemed to pull out more detail than the VIDA Prima
- Vs Aqvox Phono 2 Ci—V10 allows one to easily explore the musicians' context and intent better
- Vs Rega Aria 3—the V10 betters it by quite a way, showing how the Hegel has a more incisive and detailed nature
Takeaway: The Hegel V10 is a great sounding, well-made phono stage that produces the 3D, of both the music and the space behind it, while honoring the purity and simplicity of the recording. It has connectivity and configurability as well.
Video review
Our take on the brand
Product Strengths
- Comprehensive spec sheet
- Versatile phono stage with balanced outputs offers greater levels of gain
- Depth, detail, and an analogue character
- Flexible and capable
- Extracts the very best from any cartridge
- The casework feels solid and beautifully finished
Product Considerations
- Adjusting capacitance and loading via hidden dip switches under two small covers for left and right channels is a little trickier than the previous model's dial adjusters
- DIP switches are fiddly to use
- Busiest and brightest recordings can appear just a little sanitised
Comparisons (according to reviewers)
- The R35 offers a thorough update of its feature set, making it—on paper at least—one of the most versatile phono stages on the market today
- The R35 ups the ante by some margin, despite looking deceptively identical to the retired R32 front on
- Compared to the Hegel V10, the R35 is more playful dynamically with fatter bass, there is more depth in the soundscape, and a slightly larger range of timbres
Takeaway: The R35 is a versatile phono stage that can extract the best from any cartridge and has a comprehensive spec sheet. It offers depth, detail, and an analogue character that underlines vinyl's enduring appeal.
Video review
Our take on the brand
Product Strengths
- Crisp, clean, and spacious tone, which is fun to listen to, tonally neutral, and detailed
- Good and solid build quality
Product Considerations
- Substandard interface, with tiny buttons and labels, can be difficult to use
- In single-ended mode, the sound presentation can have slightly edgy mids
- Smaller interface font than the M6 makes the values slightly harder to read
- Size and weight might require sturdy shelf support
Comparisons (according to reviewers)
- M6x has an appreciable reduction in its noise floor and improved dynamic range compared to M6 Vinyl
- M6x has a slightly well-lit upper midband and a drier and leaner bass compared to ModWright PH 9.0 tube phono stage
- M6x Vinyl is a clear step up, having a crisp, clean, and spacious tone compared to Rega Aria Mk3
Takeaway: The M6x is a versatile phono stage that offers balanced connections, multiple inputs and solid build quality. It is sonically neutral and lets records speak for themselves.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Phenomenal clarity and natural tonality in the mid-range and high frequencies
- Excellent soundstage depth because the background is pitch black
- Silver-plated Teflon-coated wiring and a Blue Beauty Alps volume pot are used
- The circuit is DC coupled between stages, which normally improves clarity and reduces coloration
- Hand built in Durham, England
Product Considerations
- Bass lacks definition and grip
- Speaker choice is critical to getting the best performance
- Acrylic casework and lack of remote control may be an issue for some
- Cables with shielding and some with a twisted geometry need to be avoided, because the S80 has no filter circuit on the output stage
- Limited power may be an issue
Comparisons (according to reviewers)
- The P50 has better clarity and natural tonality in the mid-range and high frequencies, compared to the Exposure 2510
- The P50 has better clarity and natural tonality in the mid-range and high frequencies, compared to the Cambridge Audio AXA35
- Accuphase E280 may get close in terms of clarity, but can't match the NVA's when it comes to natural tonality
- Cambridge Audio AXA35 does equally a good job of hanging on to the rhythm section—bass
Takeaway: The P50 offers exceptional clarity and a natural sound in the mids and highs, creating a phenomenal listening experience. If paired carefully with the right speakers, it could be a very special system.
Video review
Our take on the brand
Our Summary
Product Strengths
- Offers a versatile range of adjustments, including nine input impedance choices and four gain options, to match various cartridges
- Offers three different equalization curves (RIAA, Decca London, and American Columbia), unusual for phono stages in its price range
- Produces a clean, smooth, lucid, and well-balanced sound that is uncolored and neutral, allowing for greater transparency and speed
- Musical, smooth, coherent and dynamic, with a very good pace, rhythm, and timing
- Touchscreen interface is easy and intuitive to use
Product Considerations
- Moving magnet capacitance is set at 220pF and is not adjustable
- Some reviewers express concern about potential RF interference from the digital display affecting the analog circuitry, particularly with sensitive MC cartridges
- Instrumental images may be smaller than with other phono stages
- May sound a little weightless compared to significantly more expensive phono preamps
- Reviewers note the forthcoming PSU-5 power supply
Comparisons (according to reviewers)
- Compared to a similarly priced phono stage, the Gold Note PH-5 provided greater insights into how Miles Davis played each note, and was more full-bodied and dynamic
- The Pathos In the Groove was more spacious and shapely sounding but lacked the PH-5's sense of control and smoothness
- Compared to the Gold Note PH-10, there's a remarkably similar sound, with a tad more weight to recordings played through the more expensive PH-10
- The PH-5 sounds closer to the GrandiNote Celio MK IV—a bit richer, smoother, and more saturated—whereas the ESE Lab Nibiru is more about speed, precision, and transparency
Takeaway: The Gold Note PH-5 is a versatile phono stage that sounds musical and natural. It provides many options to adjust the sound, and it is an affordable way to get great performance from vinyl records.
Video review
Our take on the brand
Our Summary
Product Strengths
- Straightforward, high-quality preamp that does everything asked of it, very well
- Includes tone control knobs for bass and treble to personalize the listening experience
- Allows turntable users to switch between moving magnet (MM) and moving coil (MC) modes
- Features seven source audio inputs, a front-panel 3.5mm headphone jack, Bluetooth 5.1, optical and USB inputs, as well as a phono stage for turntables
Product Considerations
- Bluetooth 5.1 connectivity, while present, is not super high resolution compared with Wi-Fi and may not appeal to those seeking a more robust streaming experience
- Has no balanced inputs
Comparisons (according to reviewers)
- Against Rotel's RC-1572 MKII, the Adcom GFP-915 wins in many audiophile categories, such as a lower reported total harmonic distortion and noise floor
- The Schiit Freya S stereo preamp at $599 is another solid, no-frills audiophile option that can compare to the Adcom GFP-915
- The NAD C 3050 integrated amp's HDMI switching, internal DAC, Bluetooth 5.4 and phono stage might sway one to spend a few hundred more dollars than the Adcom
Takeaway: The Adcom GFP-915 is a traditional stereo preamp that delivers quality performance and offers a range of useful features for audiophiles. It is a worthwhile option for those seeking a simple and effective way to manage audio sources and volume control.
Video review
Our take on the brand
Our Summary
Product Strengths
- Features a fully discreet headphone amplifier built-in that sounds good
- Offers flexibility with passive, low gain, and high gain settings, not commonly found at its price point
- Build quality feels good, with a nice textured black finish
- Features a precise 128-step attenuator for accurate left-right balance, unusual for a $699 preamplifier
- Features a metal remote with volume, mute, and input selection
Product Considerations
- One reviewer experienced the Kara going into protection mode and muting the sound when adjusting the volume quickly—requiring a power cycle to resolve
- One reviewer said they prefer the RCA input and output sound
- XLR inputs for stereo mode are not available
Comparisons (according to reviewers)
- Vs Schiit Freya S: It replaces the Freya S and has significant upgrades, including a headphone jack and a more powerful power transformer
- Vs Pass Labs HPA1: The Pass Labs is a better-sounding pre-amplifier and headphone amplifier overall, but is significantly more expensive
Takeaway: The Kara preamplifier offers great flexibility with gain options and a good-sounding headphone amplifier. It's a well-built component that could be a good addition to an audio setup, especially if clarity is valued.
Video review
Our take on the brand
Our Summary
Product Strengths
- Balanced connections improve sound, though stellar audio is available via RCA inputs
- Tighter and continuous control over load impedance via a potentiometer control
- Discrete circuit design offers a more neutral sound than integrated circuits
- Two turntables can be connected at once, one with XLRs and one with RCAs
- Expanded soundstage and individual instrument placement both horizontally and vertically
Product Considerations
- Turntable with XLR outputs needed to experience its best features
- More expensive if balanced connection features are not being used
- Tube box will push coloration into the mix, so tubes need careful system matching
- Balanced outputs and moving coil cartridge are needed to reveal the sort of detail that vinyl aficionados champion
Comparisons (according to reviewers)
- Vs NAD Phono Preamp PP-1: Allows for markedly more detail and separation between instruments
- Vs Phono Box S3 B: Integrates all the technology from the SB3 and adds in a few extra features, as well as a potentiometer
- Vs Projects Tubebox DS3: The sound is far more clear, and the weighted treble and upper spectrum sound more pronounced
Takeaway: The Pro-Ject Phono Box DS3 B unlocks the potential of a turntable, enhancing the listening experience with more dynamics, details, and soundstage. It's a versatile phono preamp with remarkably neutral and detailed sound.
Video review
Our take on the brand
How to buy
Preamplifiers
Search all hifi products
Explore our database of 10,000+ new and 25,000+ used hifi products.







































