Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- Excellent sound features and plays music in a balanced way regardless of the piece's frequency distribution
- Produces a cool, homogenous, and natural treble up to respectable highs, making music sound exceptionally right and sensible
- Has a deep and boundless sound stage, not very sensitive to directing it toward the listening spot
- The unit in the Z1 is a virtual point source, and sounds like it too—seamlessly matched with the woofer
Product Considerations
- Bass performance can be described as undemonstrative or controlled
- Might be too subtle sounding for studio purposes, not responding to studio professionals' typical demands concerning the "grayness" of the tone and misunderstood brightness
- The sound might be perceived as 'dry' because it only includes what is on the record, with nothing added to it
Takeaway: The Manger Z1 is a well-built compact speaker with a unique sound that makes music sound right. It is not for beginners, but it provides a great listening experience, especially for classical vocal music.
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Manufacturer details
- Type: Passive 2-Way Compact Speaker
- Impedance: 4 Ohms
- Frequency Range: 40 Hz – 40 kHz
- Crossover Frequency: 360 Hz
- Sensitivity: 89 dB 1 W/1 m
- Max SPL: 106 dB Peak
- Dimensions: 21.0" x 10.6" x 14.3" (534 x 270 x 364 mm)
- Weight: 57.3 lbs (26 kg)
- Bass: 8" (200 mm) Custom made Carbon Fiber-Paper Sandwich Design, 42mm Voice coil ø
- Enclosure: closed
- Recommended power: 50 – 200 W
- Connectors: Bi-Wiring – WBT plasmaprotect nextgenTM Cu
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- Manger differentiates itself by focusing on temporal and tonal accuracy through their bending wave transducer design, which mimics the function of the basilar membrane in the human ear.
- The brand leverages the unique design of the Manger Sound Transducer, which avoids the traditional pistonic motion of conventional drivers, to achieve exceptional spatial representation and clarity.
- Manger offers extensive customization options, including a wide array of RAL and NCS colors, various finishes, and the capacity to custom-match interior decor.
Select products
Z1:
- Positioning: Compact speaker designed for versatile use in various environments.
- Description: Offers a natural sound with its modern woofer and patented Manger sound transducer. Compared to the P1, it is more compact and suitable for smaller spaces, while still providing powerful bass and clear mids. It is a great choice for those with limited space but who still want excellent sound quality without the need for large floor-standing speakers.
C1:
- Positioning: Active compact monitor for professional and home use.
- Description: Praised for its neutral sound reproduction, making it a favorite in recording studios. Unlike the Z1, this is an active system with built-in amplifiers, providing more flexibility in setup and integration into various audio environments. It is perfect for users who need precise sound reproduction in both professional and home settings.
P1:
- Positioning: Passive floor-standing speaker for high-fidelity audio enthusiasts.
- Description: Delivers natural timbres with its Manger sound transducer, offering a unique listening experience. Compared to the Z1, this floor-standing model provides a larger soundstage and more powerful bass, making it suitable for larger rooms and those who prioritize sound quality over compactness.
P2:
- Positioning: Passive flagship model for ultimate audio fidelity.
- Description: Designed for high-level audio reproduction, with its advanced woofer system and Manger sound transducer. It offers superior impulse fidelity and bass precision compared to the P1.
S1:
- Positioning: High-end active floor-standing speaker for discerning audiophiles.
- Description: Combines the Manger sound transducer with a powerful woofer, providing seamless audio with time-accurate reproduction. Unlike the P2, this is an active system, offering built-in amplification and advanced room correction features for users who want a high-end, all-in-one solution without the need for external amplifiers.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
The Manger driver is a different technical principle.
It's quite a full-range driver, and the technical principle it uses is a so-called bending wave driver. You’ve probably read that my father invented this driver. He figured out that a conventional driver always has its own sound or footprint. By measuring, he saw that a classical driver always stores energy due to its construction. It behaves like a mass-spring system —so it's never quite as fast as the electronic signal. It introduces a kind of delay through mechanical energy storage. So, by the time the next change in the music or sound happens, the driver is still moving in another direction. Avoiding this transient behavior of the conventional driver —this energy storage—was the intention. This led to our core technology, the Manger sound transducer with its bending wave principle, which doesn’t store energy and covers a range from 360 Hz up to 45 kHz. If you read reviews, the conclusion is always the same: it’s very neutral and very natural.
Philosophy of neutrality and natural reproduction.
I always say the Manger is like food without additives. People know from eating or restaurants what “no additives” means—so they have a comparison. If you don’t have experience with natural sound—which means you’re not used to going to concerts with natural instruments—you have no reference. And if you compare our loudspeakers with other loudspeakers, they all sound different, but you don’t know which one is “right” and for sure it is also a matter of taste. There is something objective in the sound reproduction —how you can recognize things like imaging and the character of instruments, these are all so-called transients and the better a loudspeaker can reproduce this the more natural and lifelike the sound reproduction is perceived. But if you have a technical artifact in between—and mainly it’s the loudspeaker—then it’s not so direct. It is also less relaxing but fatiguing.
What's your approach to customer support?
The best situation is always when the customer has a good relationship to the dealer. Sometimes, the customer invests so much time and gathers so much information that—depending on the dealer’s capabilities—the dealer may not know how to help. In such cases, the customer typically contacts the distributor. And if they’re still not satisfied, they can contact the manufacturer directly. I am always willing to answer any questions. This has to do with our philosophy, and also with the fact that we are not a big company. So everything is like a small restaurant: you talk directly to the cook. People feel good when their questions are answered seriously and competently.
What are your favorite tracks for showcasing the strength of your products?
- Birds — Dominique Fils-Aimé | Album: Nameless | Genre: Blues / Jazz / Soul
- October — Göteborgs Kammerkör | Album: Viska du Vind | Genre: Folk / World
- Malletoba Spank — Duke Ellington | Album: Ellington Jazz Party | Genre: Jazz
- Celestial Echo — Malia & Boris Blank | Album: Convergence | Genre: Pop
- Reflexion — Markus Stockhausen | Album: Sol Mestizo | Genre: World
- Wheels Turn Beneath My Feet — Fink | Album: Wheels Turn Beneath My Feet | Genre: Rock
- Various tracks | Album: Musik von einem anderen Stern | (Manger CD and LP sampler)
What other products pair best with yours?
In my demonstrations and shows, I mainly pair with SPL (Sound Performance Lab). I really love this combination. For me, it’s always important to show the result to people—when everything is in balance, including the cost of the electronics and the cables. The products from SPL sound great. I also know that Accuphase fits very well, and of course, it's also a matter of taste. I have customers who pair with tube amplifiers as well.
What if you spend more?
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Product Strengths
- Powerful and deep bass response for its size
- Clear and natural sound reproduction, with vocals being particularly noteworthy
- An 'all-in-two' system, the RIALTO includes a streamer, DAC, pre-amp, and amp, making it easy to set up and use, especially with the Cabasse StreamCONTROL app
- Effective room correction helps to optimize the sound for the listening environment
- Elegant design and build quality
Product Considerations
- The lack of seamless gapless playback between digital tracks requires a workaround or use of an analog source
- The RIALTO has a laid-back treble response, which may not appeal to listeners who prefer a brighter sound
- Potential for technical hiccups exists, because of the amount of technology packed into the RIALTO
- Many features are controlled with the mobile app
Comparisons (according to reviewers)
- The RIALTO provides a more balanced—and much more natural—listening experience than the Devialet Phantom II 98 dB Stereo
Takeaway: The Cabasse RIALTO is a compact and elegant audio system that offers powerful sound and a range of integrated features, making it a great choice for music lovers who want an easy-to-use and high-performing system. The sound quality and room correction allow it to adapt well to different listening spaces, offering an immersive experience.
Video review
Our take on the brand
Majestic Performance Meets Unparalleled Engineering The SuperMon Isobaric was created to bring about a revolution in the audio industry.Our latest innovation not only offers impeccable sound quality, but it combines it with a level of never-seen-before construction and engineering.The outer construction and cabinet consist of Metal, and aluminum in particular to ensure the most sophisticated sound quality possible. The large-diameter 7mm thick precision-machined aluminum front plate ensures linear frequency response and represents an extremely stable platform for the magnetic movement system inside.
Our summary
Product Strengths
- Build quality is second to none, using the best construction materials
- Very well-controlled midrange
- Excellent imaging capabilities
- All aluminum cabinets make for an impressive sight
- Good dynamic range, if given enough power to compensate for bass equalization
Product Considerations
- Depressed bass response below 100Hz, potentially requiring equalization
- Rough treble response on-axis that can be piercing with certain content, solvable by mild to no toe-in angle
- The effort involved in attaining a great sound from these speakers will inevitably be a turn-off for some people
- At 80 lbs each, users will need to be careful when handling these speakers
- The use of an isobaric design has likely caused more problems than it has solved in this instance
Comparisons (according to reviewers)
- The SuperMon Mini provides an incredible amount of detail to go with that superb imaging and soundstaging, while the LS3/5a has a natural tonality that's simply breathtaking
Takeaway: With EQ'd bass and correct placement, the SuperMon Isobarics can sound terrific—offering excellent soundstage and imaging. These speakers are for audio lovers to proudly display and will likely be the subject of conversation.
Video review
Our take on the brand
When Crystal Cable launched the original, glass cabinet Arabesque in 2009, the audio world was stunned by the performance of a speaker that sounded as clean and clear as it looked. The Arabesque shape of this groundbreaking loudspeaker was developed to prevent resonance and standing waves and to eliminate parallel walls and common dimensions, resulting in natural resonant decay without resorting to damping materials. This unique design and technology was then further perfected in the following Arabesque speaker models: the Arabesque Mini, the Arabesque III and the Minissimo.
Now, the new Minissimo Forte takes things to an even higher level. Crystal Cable's goal was to further refine the performance possible from a standmount loudspeaker, while maintaining its predecessor's beauty and compactness. An advanced new passive-active crossover has been added, alongside special fully balanced filter technology. Our unique MAD™ (Multiple Absorption and Dispersion) system and the new stable and decoupled stand further reduce cavity resonances, and improve sound quality. Together, this series of engineering improvements delivers superb sonic performance.
Development
With so much of the design right first time, the original Minissimo stand mount loudspeaker was a hard act to follow. So our engineers thoroughly analyzed the behavior of the loudspeaker using tools like COMSOL™ Multiphysics computer aided design facilities and our custom-made vibration measurement system. The decision was then taken to focus in on three specific areas where further improvements could be achieved, namely the speaker cabinet, stand assembly and crossover.
Developing the cabinet
One key design aim was to take the Minissimo's cabinet and support stand out of the equation, making them as acoustically inert as possible. This was done by identifying and then eliminating all vibration paths inside the speaker, by the fitment of a special layer of internal resonance-reducing material. This is unique in the field of loudspeaker design, and has further lowered cabinet noise as well as preventing extraneous vibrations between cabinet and stand.
Developing the crossover
For the 'passive-active' crossover design, our engineers benefited greatly from the spectacular results achieved while designing the Symphony loudspeaker of sister-brand Siltech, with which Crystal Cable shares all resources and production facilities. Most loudspeakers employ a passive separation filter using coils to provide the drivers with the correct signal, but this can cause non-linearity and dynamic compression of the signal. The passive-active filter used in Minissimo Forte eliminates these limitations by using frequency dependent components, which allows for much greater control of the sound, higher resolution of details in the music, and increases the dynamic range.
Our summary
Product Strengths
- The Minissimo Forte creates a palpably dimensional and believable representation of musical sounds, offering the most believable representation of a musical sound through a stereo system
- It communicates the dynamic life of music exceptionally well at lower playback levels
- Incredible resolution and coloration-free tonality
- The speakers play organically with excellent timbre, detail, and incredible soundstage
Product Considerations
- The owner's manual lacks detailed setup instructions regarding channel configuration
- Positioning the right and left speakers with the 'fat' part of the apostrophe on the outside results in a reduction in the seamlessness of the soundstage
Comparisons (according to reviewers)
- Compared to Harbeth, the Crystal Cable speakers possessed a skill—allowing even better insight into the recording
- Compared to BBC LS3/5a loudspeakers, the Minissimo Forte goes a step, or two, further in transparency
Takeaway: The Crystal Cable Minissimo Forte loudspeaker is excellent for audiophiles who want a high level of realism. These speakers are especially good in small and medium spaces with high-end electronics.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Solid bass performance for a speaker of its size
- Able to do justice to any genre of music and at realistic volume levels
- Very easy to drive
- Offers a balanced presentation from top to bottom with seamlessness between the woofer and tweeter
- Started sounding like far more than a pair of 8″ two-way monitors when properly positioned along the side walls
Product Considerations
- Achieving the best imaging and deep bass may require experimenting with toe-in and distance from corners and the back wall
- Does not provide much forward/backward information, with the image typically stopping at the outer edge of the speakers
- The basic 'D' model comes only in black ash veneer, while higher-end models offer more choices
- Bass can be overblown if not adjusted properly in room placement
Comparisons (according to reviewers)
- The AN-E has more bass, is easier to drive, and has a bigger presentation
- Some may prefer the J because they find it a more taught presentation in the mid bass, as well as more "present" in the voice band
Takeaway:
The AN-J is a near full-range loudspeaker capable of articulation and organic flow, making music sound natural and engaging. If someone is looking for a communicative quality that remains consistent wherever they listen, then the AN-J could be a good fit.
Video review
Our take on the brand
Our Summary
Product Strengths
- Balanced, refined, and musical performance
- Fine stereo imaging and a wide—beautifully focused—soundstage
- Impressive bass power and authority for a standmount speaker
- Excellent build quality and finish
- Uni-Q driver produces a consistent dispersion pattern
Product Considerations
- Demands an amplifier with plenty of power due to its low sensitivity (85dB/W/m) and 4 Ohm impedance (minimum 3.2 Ohms)
- Dedicated stands are expensive (S-RF1)
Comparisons (according to reviewers)
- Vs Bowers & Wilkins 805 D4: Sounds larger-scale, more muscular, and punchy
Takeaway: The KEF Reference 1 Meta is a superb speaker combining excellent sound with clever engineering, well suited for audiophiles looking for a high-quality listening experience. It delivers an immersive and detailed soundstage.
Video review
Our take on the brand
Our Summary
Product Strengths
- Adept at handling complex compositions and uncovering the finest sonic detail without losing track of the musical picture as a whole
- Gets listeners closer than ever to the artist's intent
- Excellent sense of detail, of boundaries naturally drawn
- High-frequencies sound realistic and natural
Product Considerations
- Low frequencies were somewhat lightweight
- With such a tipped-up tweeter, the resulting sound could be too bright
- Due to a lack of boundary reinforcement, Bowers & Wilkins speakers with top-mounted tweeters always drop off below around 5kHz
Comparisons (according to reviewers)
- Versus Magico A1, Magico A1 aim for pure neutrality
- Versus Dynaudio Confidence 20, Dynaudio Confidence 20 is for listeners who just want to enjoy their music
Takeaway: The 805 D4 makes music sound very realistic and clear, almost as if you are there. It can make a small room feel big with its sound.
Video review
Our take on the brand
Our Summary
Product Strengths
- Features a 1-inch pure beryllium inverted dome tweeter that rests inside its own chamber, which acts as a tuned resonator, and helps give the speaker its iconic profile
- The cabinet's shape helps to mechanically time-align the two drivers and optimize the phase between them
- Bass is firm, free of any distortion or boominess, and agile when driven correctly with a capable amplifier
- The speaker is neutral throughout the midrange, and clear, focused, and detailed
- Transparency to the music and resulting 3-dimensional soundstage that is boundary-defying in almost all directions, with dynamics close second only to the La Scala
Product Considerations
- For true full-range playback, a subwoofer is required
- The beryllium tweeter has the ability to showcase the flaws in poor recordings
- Sound improves the more upmarket the accompanying equipment is
- Amplification pairing is vital and can drastically change the sound
- Placement of these speakers in different spots in the room changed the sound drastically
Comparisons (according to reviewers)
- The Diablo's have more detail on tap but remain smooth and realistic, with the midrange being leaner but cleaner than the Fleetwood Deville SQ
- The Diablo will offer everything the Sonus Faber Sopra 1 does—and even more
Takeaway: The Focal Diablo Utopia Color Evo speakers are transparent and reveal details in music with incredible imaging, making for a fun listening experience. To hear all the nuances in music, these speakers could be a great choice.
Video review
Our take on the brand
Our Summary
Product Strengths
- Fantastic, clean, and clear orchestration, with no sibilance, and no hot top end
- Spectacular imaging and soundstage, very detailed, but buttery smooth; vocals are reproduced very well and are right where they need to be
- The Guarneri G5 delivers vocals with a richness and body that ensures they grab and hold attention without sounding enhanced or cartoonish
- Well-proportioned and packed with pleasing details; the metal sections joining the more traditional wood and leather are nice
Product Considerations
- Bass didn't go very far and was disappointing; low-end extension was lacking; a subwoofer may be needed to complete the experience
- The Sonus Faber Guarneri G5 is somewhat restrained at quieter listening levels; some of the scale and three-dimensionality is less apparent and can lack a little excitement
- The Guarneri G5 needs a reasonable amount of power to do its best work
- The Guarneri G5 stand is pricey
Comparisons (according to reviewers)
- Vs Guarneri Tradition: The mid-range of the G5 was more lush and the mid/treble transition smoother and more natural, and the bass delivery of the new Guarneris was noticeably more tuneful and better defined
- Vs Wilson: The Wilson is clinical in a good way; the Sonus Fabers are buttery smooth
Takeaway: The Guarneri is a beautiful speaker that brings joy by making everything sound more beautiful, especially vocals and violins, with a buttery smooth sound. If you love music, this speaker is worth considering, especially if you listen at healthy levels in a smaller room.
Video review
Our take on the brand
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