Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- Produces a full-bodied, dimensional, and precise sound
- Built with tremendous precision, with a luxury look and feel
- Employs a dual mono configuration, with two ESS Sabre DAC chips, for exceptional performance
- Has a tube-based analog output stage
Product Considerations
- Premium pricing may be a consideration
- Large form factor might require ample space
- Complexity of features may be overwhelming for casual listeners
Comparisons (according to reviewers)
- The digital stage is reminiscent of that employed in the Musical Fidelity M6x DAC
Takeaway: The Canor DAC 2.10 is a high-end audio component that delivers a unique sound and experience. It could be a great addition to a system if one is looking for quality digital-to-analog conversion.
All
Canor DAC 2.10
reviews
Manufacturer details
- Frequency Response: +/- 0,03 dB at 20 Hz to 20 kHz (at Fs=192 kHz)
- Output impedance: < 200 Ω
- THD+N 1kHz at 0 dBFs: > 0,008%
- THD+N 1kHz at -6 dBFs: > 0,004%
- XLR output voltage at 0 dBFs: 4 V RMS
- RCA output voltage at 0 dBFs: 2 V RMS
- XLR SNR 20 Hz to 20 kHz at 0 dBFs: < 108 dB
- RCA SNR 20 Hz to 20 kHz at 0 dBFs: < 95 dB
- Digital to Analogue converter: 2 x ESS9038Q2M (dual mono)
- Tube complement: 4 x 6922
- Power: 230 V / 50 Hz / 44 VA
- Dimensions (w x h x d): 435 x 120 x 405 mm
- Weight: 12 kg
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- Canor prioritizes in-house manufacturing of key components, including circuit boards using their proprietary CMT milling technology, and output transformers, allowing for greater control over quality and performance.
- The brand offers a unique design aesthetic blending modern elements with retro-inspired touches like orange dot-matrix displays, contributing to a distinct and recognizable product identity.
- Canor emphasizes the meticulous selection and testing of vacuum tubes, with matched pairs and carefully chosen brands, aiming for long-life and stable operation in their tube-based designs.
- The units often incorporate tubes in the output stage of their digital components, aiming to add analog warmth to digital playback.
Select products
Virtus M1:
- Positioning: A reference vacuum tube power amplifier operating in pure class-A.
- Description: Features instant feedback switching and high-quality components like silver-coated oxygen-free copper for low distortion. Compared to the integrated amplifiers (AI 2.10, AI 1.20, and Virtus I2) that offer more connectivity options and the high-powered Virtus S1S that provides extreme output for bigger rooms, this unit is best for setups that favor a classic tube sound in a dedicated, moderate-budget environment.
AI 2.10:
- Positioning: An integrated hybrid amplifier from the performance line that combines a tube preamplifier with a class-D power stage.
- Description: Offers efficient power delivery through a filtered, tuned linear power supply along with a relay-controlled tube preamp for low noise performance. Compared to the premium solid-state design of AI 1.20 and the all-tube configuration of Virtus I2, it suits users needing versatility and modern functionality without a high premium price.
AI 1.20:
- Positioning: A premium integrated solid-state amplifier operating in pure class-A with advanced filtering and monoblock capability.
- Description: Uses exceptionally high filtering capacitance and a dual-block relay attenuator to achieve stable, interference-free performance. Compared with the hybrid approach of AI 2.10 and the tube-centric qualities of Virtus I2, it is aimed at buyers who demand refined build quality and stable, high-fidelity sound in controlled setups.
Virtus I2:
- Positioning: A premium integrated tube amplifier that delivers pure class-A operation with flexible mode switching.
- Description: Features auto-bias operation, instant switching between triode and ultra-linear modes, and advanced PCB milling (CMT) to minimize dielectric losses. Compared to the AI series—which target either performance or premium solid-state sound—and the more conventional tube design of Virtus M1, it caters to audiophiles seeking classic tube warmth, detailed sonic refinement, and the flexibility needed for varied listening environments.
Virtus S1S:
- Positioning: A high-end solid-state dual-mono power amplifier primarily operating in class AB with a few watts starting in pure class-A.
- Description: Features innovative heat dissipation using copper plates, error correction circuits, and ultra-low distortion to deliver robust, clear power with exceptional channel separation. Compared with the tube-based Virtus M1 and the integrated amplifiers (AI 2.10, AI 1.20, and Virtus I2), it is designed for large-room applications demanding maximum output and top-tier engineering.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
We consider ourselves specialists in tube technology. This year marks our 30th anniversary at Canor. Over the past three decades, we have amassed a wealth of experience in tubes and the design of tube-based audio products.
In addition to our core offerings, we design and manufacture audio products for other brands as an Original Design Manufacturer (ODM). We also designed the tube testers, which are essential for precise measuring and testing of tubes. These testers allow us to carefully select and match tubes for our products. Additionally, each tube that passed the measuring and testing process was assigned a unique number. This allows us to track the tubes used in our amplifier and provide the exact replacement for the customer when needed.
Furthermore, we have developed tube “burning” (or ageing) stands that are used to age the tubes we source from producers. This process ensures that the tubes' parameters stabilise before we proceed with precise measuring, testing, and pairing.
As a second technological innovation we are proud of is so-called CMT technology which we used in our tube-based products. This technology allows us to approach the dielectric loss factor (loss tangent) of printed circuit boards to the air loss factor. With this technology, we have achieved such excellent parameters as can be achieved with "wire connections" only by using very expensive and high-quality wires with Teflon insulation. However, our new technology has the advantage of repeatability in production with a 100% identical geometric arrangement (which is not possible with "wire-to-wire" connections). In addition, the advantage over "wire to wire" is that the connections are several times shorter than it is possible to achieve with a "wire to wire" connection.
What's your approach to customer support?
We appreciate every customer of Canor, whether they purchased an old amplifier 25 years ago or the latest model. Our strong relationships with partners, distributors, and dealers ensure that customers can reach out to them with any post-sale inquiries.
In addition, we are here to assist customers directly from all over the world. Anyone can contact us with questions about Canor products or any technical issues. We can provide remote support or collaborate with local service centres by offering technical advice or schematics needed to fix any problems that may arise.
We understand that deciding to buy a new audio product is a significant process. We are also available to assist potential customers by answering any questions they may have, including helping them match our products with other audio devices or loudspeakers.
What are your favorite tracks for showcasing the strength of your products?
That's a tough question, but if we must choose just three tracks, I would mention the following:
- Dominique Fils-Aimé – Rise
- Paul Cauthen - Cocaine Country Dancing
- Two Feet - Had Some Drinks
- And bonus: Rage Against The Machine - Fistful Of Steel
What other products pair best with yours?
We really like Fink Team loudspeakers (Borg, Kim) and Epos speakers. When it comes to more commercial (or well-known) brands, Focal is the one we enjoy playing with as well. Our amplifiers are designed to be compatible with most loudspeakers, and we believe our customers have had very good experiences with other brands.
What if you spend more?
.svg)
Product Strengths
- Exceptional sound quality is achieved with precise and accurate reproduction, enhanced clarity and depth
- Versatile input options include S/PDIF, TOSLink, AES/EBU, BNC, USB, and optional HDMI, offering compatibility with various digital devices
- Excellent build quality is exhibited in its solid, retro-German appearance with high-quality materials
- Separate PCM and DSD processing use path separation technology with independent converters optimized for each media type
- Effective de-jittering employs T+A's De-Jitter Masterclock to minimize timing errors from connected digital components
Product Considerations
- A network audio input is absent, limiting standalone use without the MP200 music player
- Limited analog connectivity means the desired balanced analog input could enhance the preamplifier section's capabilities
- Remote control is reported to be far from intuitive, despite its solid build
- Output voltage in fixed mode may be lower than expected, requiring the use of the variable output setting
Comparisons (according to reviewers)
- Compared to iFi Pro iDSD, the DAC 200 outperforms as a reference
- Compared to Linn Organik series DACs and MSB Premier DAC, the lush playback recalls more expensive options
Takeaway: The T+A DAC 200 is a versatile and high-performing DAC with many inputs that delivers great sound quality. Its robust build quality and comprehensive features make it a great choice for audiophiles seeking a top-tier digital-to-analog converter.
Video review
Our take on the brand
Product Strengths
- Excellent sound quality with detail and an expansive soundstage
- Functions as a preamplifier with both digital and analogue inputs and analogue volume control
- Features Direct Data Recording (DDR) technology using a memory buffer to reclock audio data
- Has a dual-chassis design with copper shielding for electrical isolation
- Gains greater clarity and clout with everything from driving rock to complex classical music
Product Considerations
- The AURALiC control app (Lightning DS) is only compatible with Apple iOS devices and not Android
- Has only one analogue input, which might be limiting for some users
Comparisons (according to reviewers)
- Vega G2.2 preferred to a DAC that cost 5x more
Takeaway: The Vega G2.2 is a great streaming DAC and preamplifier that is easy to use. It can be slotted into a system to immediately bring more clarity, soundstage, and depth to music.
Video review
Our take on the brand
Product Strengths
- Completely redesigned interior with 90% new electronic components and cutting-edge technologies elevate performance
- New 'Purer-Power' low-noise linear power supply, with twice the capacity of the previous version and an even lower noise design, ensures a clean and stable power supply
- Upgraded Tesla G3 streaming platform is eight times faster than its predecessor
- New Direct Memory Access (DMA) technology connects the audio input and output directly to the processor, helping to reduce latency and jitter by a claimed 90%
- Lightning DS App is considered excellent and second to none for library and playlist management, and is extremely fast and responsive
Product Considerations
- The Lightning DS app is only available on Apple iOS devices, which may be limiting for Android users
- The digital filter options within the Lightning DS app are considered marginal
- A reviewer missed the Vega/Altair selection knob from previous models for menu management
- The benefits of the ARIES G2.2 may only be fully realized with a high-quality system, making it a significant investment
Comparisons (according to reviewers)
- Compared to the ARIES G2.1, the G2.2 offers a significant upgrade in performance with demonstrably lower noise, more detail, and a larger—more detailed—image, almost doubling the amount of musical data revealed
- Melco was more open and with better timing, while AURALiC had a smaller image, deeper bass, and possibly stronger bass
- Adding the ARIES G2.2 to the VEGA G2.2 allows the VEGA G2.2 to relax slightly
Takeaway: The AURALiC ARIES G2.2 is a high-end streamer offering a clear upgrade over previous models with a focus on reducing noise and increasing processing power, perfect for detail and nuance. With excellent software and solid construction, it is a great foundation for a top-tier system to enjoy music.
Video review
Our take on the brand
Our summary
Product Strengths
- Praised for ultra-transparent sound, accurately converting digital signals into music with no digital signature, resulting in a natural and authentic sound
- Built with extensive noise-suppressing technology to boost clarity and performance
- Provides a very detailed sound without sounding etched or overly detailed
- Delivers a sound geared for well-developed tone, round edges, softness, moisture, hefty bass, density, and a pitch-black background
Product Considerations
- Uses a generic Apple remote, which is functional, but not custom-designed
- Sounds a little on the dark side of neutral
- The analog output only comes with RCA connection
Comparisons (according to reviewers)
- Has a naturally weightier, rounder disposition, while the Lampizator Pacific is quicker, more open, and energetic
Takeaway: The Aavik D-180 is a DAC that focuses on delivering a transparent and natural sound by minimizing noise and accurately converting digital signals. This DAC can hold its ground against competitors if you like the Aavik sound.
Video review
Our take on the brand
What competes at this price?
Our Summary
Product Strengths
- Unique features and impressive performance in a compact form factor
- Exceptional build quality
- Larger, responsive, and intuitive touchscreen UI
- Considered by one reviewer to be the best sounding DAC they have heard under $3,000
- Genuinely neutral and lifelike sound signature, without compromising resolving capability
Product Considerations
- Expensive, at $2,800 or 2,800 euros, which is a significant investment
- Limited display viewing angles, due to using a TN panel instead of an IPS, VA, or OLED
- Hypsos power supply is a subtle upgrade, not necessarily worth the extra cost unless already owning other Ferrum products
- Stock power supply is not as good as the Hypsos
Comparisons (according to reviewers)
- Compared to Gustard X18, Wandla lacks the sterile presentation, offering a more genuine neutral sound
- Compared to EverSolo DAC Z8, Wandla is closer to a true neutral sound signature and overall more realistic sounding
- Compared to Holo May KTE, Wandla was happily trading blows on outright soundstage size, and resolution was pretty much on par
- Compared to Chord Dave, Wandla provides similar sound and performance at a more attractive price
- Compared to Rockna Wavedream Signature, Wandla has similar liquidity and refinement but at a fraction of the price
Takeaway: The Wandla is an impressive DAC focused on sound quality, offering a number of unique features and customizability options. It is a great option for those looking for high end sound in a small package.
Video review
Our take on the brand
Our Summary
Product Strengths
- Precise, accurate, and musical sound, delivering what the disc or file was created to sound like
- Excellent jitter suppression, getting the most out of digital sources
- Versatile, it can be used as a digital format converter
- Weighty, full-bodied—tape or vinyl-like—sound
Product Considerations
- The stock power supply can be improved with a higher quality 6 to 9 volt supply or the Weiss PSU-102
- High-resolution sampling frequencies via USB of 352.8 and 384 are down sampled to half their value at 176.4 and 192
- May be a bit too harsh, even for some systems
Comparisons (according to reviewers)
- Some reviewers preferred the Weiss DAC204 to the Chord Dave due to impressive detail and holographic 3D imaging, although the Weiss is not as sharp or dynamic
- The DAC204 is considered to be on the same level of sound quality as the Chord Hugo 2 and Chord Cutest
- The DAC204 sounds just like the 501, despite being significantly less expensive and lacking the DSP, preamp, display, and remote control features
- The Weiss DAC204 is more open, dynamic, and punchy, while the Meitner is all about the midrange with beautiful and rich vocals
- The Weiss DAC204 brought more of everything making music sound more present, more physical, and more engaging in comparison to the AudioQuest DragonFly Cobalt DAC
- The main difference noted between the Weiss and the Totaldac d1-unity was one of body and weight
Takeaway: The Weiss DAC204 is a compact and versatile DAC that delivers high-end sound quality. A good fit for those who want a DAC that provides natural, realistic reproduction and accuracy without extra features.
Video review
Our take on the brand
Our Summary
Product Strengths
- Exemplary build quality, with a chassis milled from a single block of aluminum and high-quality components.
- Delivers a large soundstage with very good imaging and detail.
- Produces a harmonically rich presentation that R2R enthusiasts seek.
- The unboxing experience is premium, with a metal certificate of authenticity and a remote control made from solid metal.
Product Considerations
- The high output impedance (1200 ohms on XLR) might cause issues when pairing with amplifiers that have unusually low input impedance.
- Optical and coaxial inputs might not deliver the same performance as USB and I2S inputs.
- It is DAC-only unit, so it does not have preamp functionality or volume control.
- Spiked feet could scratch surfaces.
Comparisons (according to reviewers)
- Vs Denafrips Ares II: The Harmony DAC has more instrument separation and a little bit more detail through USB or I2S.
- Vs Gustard R26: The Harmony DAC is fuller in the bass and lower mid-range with a warmer presentation and wider soundstage through USB or I2S.
- Vs Denafrips Venus II: The Venus sounds bigger with more tangibility to where performers reside and more space between them.
- Vs Denafrips Pontus II: The Harmony DAC shares similarities but is slightly more resolving and realistic.
- Vs SMSL Raw Pro: The Harmony DAC is more enjoyable to listen to overall, although the Raw Pro is more detailed.
- Vs HIFIMAN EF400 and EF500: The Harmony DAC is an upgrade in detail retrieval, staging, and treble quality.
Takeaway: The Harmony DAC stands out with its build, engaging sound, and focus on providing a high-quality digital-to-analog conversion. Its ability to create a large soundstage and deliver rich detail makes it a solid option for audiophiles looking for an immersive listening experience.
Video review
Our take on the brand
Our Summary
Product Strengths
- Wonderfully detailed sound signature and plenty of clarity create a rediscovering of your music
- Impressive flagship-level hardware delivers flagship-level results due to the ES9038 Pro chip
- The chassis is well-built with a premium feel due to the use of metal and tempered glass
- A low noise floor exists due to the isolation of power, digital, and analog circuitry in separate compartments inside the chassis
- Versatile streaming capabilities are available, including Tidal Connect, Spotify Connect, and Roon Ready certification
Product Considerations
- The screen is small and may not be useful unless you are sitting right next to the unit
- The tempered glass top is a fingerprint magnet
- Menu navigation is not the most intuitive, and there is a bit of a learning curve
- The touch-sensitive buttons have a short lag before the screen displays the change
- Some reviewers feel it does not support a few streaming services natively
Comparisons (according to reviewers)
- Compared to the McIntosh C2600 II preamp with a built-in DAC, the Matrix offers more clarity and transparency
- Compared to the Matrix Element I, the difference is night and day
Takeaway: The X-Sabre 3 is a well-built DAC streamer that provides detailed and clear sound. It is a versatile device that can enhance the listening experience.
Video review
Our take on the brand
Our Summary
Product Strengths
- Wide variety of digital input sources and balanced XLR and RCA analogue outputs
- The MiND 2 streaming platform and app offer a reliable user experience
- Delivers clean and subtle sound with good dynamic performance
Product Considerations
- Lacks a front panel display for detailed information
- Does not have a headphone output
- The remote is limited, requiring the MiND Controller app for full functionality
- There's no USB-A input
- Bluetooth connection may drop out occasionally
Comparisons (according to reviewers)
- The 280D sounds almost identical to Cambridge Audio's Edge NQ
- Compared to Leema's Stream IV, vocals, especially female artists, came through with a luxuriant, more refined sense
- Compared to the Meitner MA-1, the Moon Neo's soundstages were somewhat more broad and deep, and was warmer and richer
Takeaway: The Simaudio Moon 280D is a high-performing streaming DAC that offers a wide range of digital input sources and outputs. The MiND 2 streaming platform and app provide a reliable and enjoyable user experience, making it worth considering for those wanting a DAC with great sound quality.
Video review
Our take on the brand
How to buy
DACs
Search all hifi products
Explore our database of 10,000+ new and 25,000+ used hifi products.
