We have an exemplary reputation for producing single-range drivers that do not use crossovers. We have been in business since the 1930s. Many other companies have copied us, but none are our equal.

We do not use conventional distribution/retail models. The majority of our products are manufactured to order. We use a number of trade representatives and what we term as boutique dealers for countries outside of the UK. We would normally ask a customer to refer themselves to our local representative in the first instance, as they can then ascertain what assistance the customer may require before they go to any unnecessary expense. Support, however, is controlled via our UK operation. For example, we may issue replacement products directly, supply our representatives with OEM parts for them to fit locally, or generally offer advice.

We pride ourselves that having purchased Lowthers in 2018, we have worked very hard on customer support with a no-quibble warranty. We have re-introduced the Lowther for Life scheme. Once you are a Lowther customer, we will do our level best to ensure that you remain a Lowther customer for the rest of your life.

Spanish Harlem – Rebecca Pidgeon (Chesky) – voice accuracy, instrument placement, depth of soundstage.

Wallace – Drive-By Truckers – dynamic range, visceral power.

Segue in C / bdb – Basie/Ellington (The First Time) – Duke on the left, Count on the right, spacious CBS studio recording.

Lowther 'total sound philosophy' – matched with PX4 and our interconnects. Well set-up Lowthers will reveal weaknesses in the 'front end,' so phono/digital source should be carefully set up. Likewise, interconnects will vary tonal balance greatly.

Veracity Chrysalis pre-amp/DAC (if you can find one).

Raspberry Pi (Allo Digi hat, or similar) digital endpoint from server/file storage, JRiver library management. 

Clean, modestly powered 'push-pull' amp: EL34 Howes / Leak S20.

Big REL subwoofer.

Firstly: Most prominently, our spherical horn technology with its precisely calculated wave-launch accounts for a unique appearance, outstanding (typically 104+ dBs/W/m) efficiency, and a favorably controlled sound dispersion in any room and environment. This gives our speakers an objet d'art character and makes amplifier choice a straightforward task: it’s all about sound quality, not about wattage.

Secondly: With launching the G3 series speakers, the range is optionally available in fully active versions, with the horn section powered by a breakthrough innovation regarding the membranes' displacement control: the proprietary iTRON current-drive amplifier technology. Executed in single-ended push-pull, fully Class-A, and zero-feedback topology, iTRON is the ideal and logical choice for offering not just conveniently connectable powered speakers but to consequently provide a musical experience beyond what is possible with customary voltage amplifier technology.

Our customer support consists of a network of stipulated regional service providers and a central coordinating office at the factory for prompting the most effective procedures. Standardly, our local instances will be the recommended and most effective support channel (e.g., because of a time zone offset to Germany), while in specific cases, e.g., with "vintage support," our own team of experienced specialists may of course be addressed for appropriate advice and servicing.

Showcasing the famous Allman Brothers Band in an astonishingly intimate frame, on stage in a rather small club (while filling stadiums, usually), is the track "In Memory Of Elizabeth Reed" from the record An Evening With The Allman Brothers Band – 2nd Set, recorded live in LA around 1992. Listened to by a dynamically capable and highly resolving speaker like from our range, the skillful, fun-driven playing, the vibrant atmosphere, and the cheering public make a "be there" experience par excellence. Ten minutes and fifteen seconds that fly.

Leopold Stokowski's famous Rhapsodies collection from 1960 (on Living Stereo, recorded at Manhattan Center) still holds surprises! While considered to be a "nice recording" anyway by many, especially true for the Liszt "Hungarian Rhapsody No.2," listeners who become exposed to the recording through our speakers realize far greater "ebb and flow" contrast in the orchestra's fantastic playing. At realistic concert level? As you please!

Meraki's "La Fong" track has driven people to tears (of joy…) where one would never think that this is the kind of music they'd fancy. Powerhouse electronic music that combines thrilling dynamics with a wonderful sense of space that does not merely scatter sounds into thin air but makes them glitter. A special, almost limitless trip when listened to by the right set of speakers.

Especially in combination with our iTRON amplifiers, the co-branding question does not need an "exclusive" answer. Rather, it deserves an "inclusive" answer, as the high degree of control over the musical result ensured by horns and current-drive has generated feedback from our network that attests many excellent (no matter if praised for a specific strength or for an overall sound balance) source components to make a truly "shining" contribution.