Note that this is a discontinued product. You may want to visit the brand's page here to browse their newer products.
What reviewers think
Bloggers and YouTubers have tried this product—so we've summarized their strongest opinions below. Links to full reviews follow.
Product Strengths
- Allows an incredibly musical and emotionally involving experience
- Possesses a level of inner detail and resolution that reveals subtle differences in recordings
- Bass is powerful and controlled
- Has a liquid sound reminiscent of tubes but with serious bass control
- Features five single-ended RCA inputs
Product Considerations
- With only 30 watts per channel, careful speaker matching is needed
- The power on indicator is blue and may be too bright for some
- It takes about 90 minutes to fully stabilize thermally
- There is no phono stage option with the A21SE
- Those needing many inputs, blinking lights, meters, etc—may not be happy with the product
Comparisons (according to reviewers)
- LTA MZ3 preamp and First Watt SIT 3 amp beat the A21SE Signature at its own game, but they cost three times as much
- Compared to some other transistor amps, the A21SE has a more realistic organic approach
- The Sugden A21SE mids and highs are so good that competing amps are ordinary by comparison
Takeaway: The Sugden A21SE Signature is an amplifier that delivers a musical experience with resolution and control. It provides the best of Class A amplification in a well-built package.
All
A21SE Amplifier
reviews
Manufacturer details
- Line Input Sensitivity: 110mV @ zero attenuation for full output
- Power Output: 30 Watts into 8 Ohms both channels working, 40 Watts into 4 Ohms both channels working
- Frequency Response: +/-1dB 12Hz-141kHz
- Bandwidth: 6Hz-280kHz
- Signal to Noise: >90dB
- Gross Weight (packed): 15kgs
- Dimensions: 115 x 430 x 360mm (hwd)
Brand highlights
Taking a step back to look at reviewers' thoughts of the brand's entire lineup—not just this product—what stands out most is the following:
- Sugden Audio amplifiers are meticulously handcrafted in England, with a strong emphasis on in-house design and production, ensuring a high level of quality control.
- The brand embraces Class A amplification. They offer a warmer, more organic sound than many modern amplifiers, with a presentation that prioritizes musicality and emotional connection over sheer power or technical specifications, making them ideal for long listening sessions.
- Sugden amplifiers often deliver a wealth of subtle details and micro-dynamics, contributing to a highly engaging and musical experience that allows listeners to fully appreciate the texture and timbre of instruments and voices.
Select products
A21 Integrated Line Amplifier
- Positioning: The entry-level high-end amplifier in Sugden's lineup.
- Description: Uses pure class A design, offering a large soundstage and depth. Its single-ended voltage rail circuit provides impressive dynamics and bass, distinguishing it from more complex models like the ANV-50, which features advanced output stages. Makes a great choice for those seeking simplicity and affordability without compromising on sound quality, especially if they do not require the higher power output or additional features of more expensive models.
ANV-50 Integrated Amplifier
- Positioning: A mid-range model in Sugden's Masterclass series, celebrating the brand's fiftieth anniversary.
- Description: Features a two-stage amplification system, combining a pure Class A amplifier with an advanced output stage for enhanced load stability. More powerful than the A21, offering 50 Watts into 8 Ohms, making it suitable for larger rooms and a wider range of loudspeakers. Its power supply and error correction circuits provide superior sound quality and reliability.
FBA-800 Class A Stereo Power Amplifier
- Positioning: A high-end power amplifier in Sugden's lineup, part of the Sapphire series.
- Description: Features a floating bridge design, which combines four amplifiers for a low noise floor and better power output. This model offers a full balanced mode from input to output, providing superior sound quality and load tolerance compared to the ANV-50 and A21.
Our take on the brand
Look inside the brand
Our interview with the brand
What are two key technological innovations or strong opinions that differ you from other brands?
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What are your favorite tracks for showcasing the strength of your products?
What other products pair best with yours?
Used
Sugden
What if you spend more?
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Enleum was launched as a new brand with the AMP-23R. While our legacy AMP-13R had already been praised all around the world for its performance and unique design, we pushed the boundaries to create the AMP-23R with a new circuit that truly enhances the existing performance. We have drastically improved the PCB circuit board design, chosen new internal components and upgraded our JET2 Bias design. And the reviews and awards are unanimous. The AMP-23R's physical size and footprint may be compact, but with the all new chassis and thermal heatsink design, we've launched a product that's fit for the next generation reference compact amplifier. The unique design is the DNA of our new Enleum Brand and was already awarded the Red Dot Award: Product Design 2021 and iF Design Gold Award 2022. The AMP-23R proudly showcases Enleum's expertise in technology and design.
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Our summary
Product Strengths
- Addictive sound signature, unlike any other amp, with otherworldly instrument and voice reproduction
- Delivers serious magic with Fleetwood Deville and Klipsch Heritage speakers, revealing obscure details and creating a massive soundstage
- Dynamics for days
- Combines the qualities of a nice SET amp without the downsides, like noise or tube replacement
- Exceptional build quality and design with high-quality parts
- Only has two RCA inputs, no XLR balanced connections
Product Considerations
- Heavy speaker cables can cause the amp to tilt
- The volume dial functions as a gain dial, which may be different than what some users are accustomed to
- May not be suitable for hard-to-drive speakers in the 85db range that dip into 2–4 ohms
Comparisons (according to reviewers)
- The AMP23R offers more texture, layering, mid-bass, and vocal presence than Nagra INT
- The AMP23R is more organic, ethereal, and dynamic than Kinki Studio EXM1
- It sounds better than the Vinnie Rossi L2iSE, so long as the speakers are easy to drive
- The Enleum has more delicacy and finesse than Pass Labs and Cary Audio
- The AMP23R stacks up with the finest gear such as ampsandsound Bryce monoblocks
- Pass Labs First Watt SIT-3 offers a bit more organic, warmer presentation
Takeaway: The Enleum AMP-23R is a small but mighty integrated amplifier with a unique and addictive sound signature, and it is built with high-quality components. It's a great choice for those with sensitive speakers looking for a reference-quality system in a compact package.
Video review
Our take on the brand
an integrated solid-state amplifier in pure class-A up to 50 W per channel a relay attenuator with two standalone blocks for each channel PCB’s utilize our premium CMT™ technology (CANOR® PCB Milling Technology), it is the way we mill printed circuit boards CMT™ technology originated in a long-standing endeavour to improve the sonic performance of our products power supply units with filtered out interfering signals from the mains supply interference-rejection and as small as possible leakage field ensure custom-wound toroidal transformers 264 000 uF of filtering capacitance simulates a nearly stabilized supply voltage an option of synchronous control enables the use of two amplifiers in a monoblock mode without the need of using an extra preamplifier and that is a Master/Slave mode with an output power of 100W per channel
Product Strengths
- Exceptional build and manufacturing quality
- Sounds a little bit tubey for a solid-state amplifier, providing a gloss/warmth to the music
- Has the classic Class A characteristic of high perceived detail resolution alongside a relaxed presentation
- Delivers leading edges without the hardness typical of Class AB amps, and delivers them at high speed
- Can be used as single channel monoblock with a second AI 1.20, doubling the specified output
Product Considerations
- Only accepts single-ended RCA phono connections (until used in monoblock mode)
- Runs hot due to Class A operation and requires ventilation
- Some may want XLR inputs or digital inputs, which the AI 1.20 lacks
- The included remote is described as lightweight
Comparisons (according to reviewers)
- Vs Chord Electronics Etude: The Etude has a noticeably lower noise floor, more substantial/impactful bass, and more resolution, but the AI 1.20 has a smoother—more musical flow
- Vs Gryphon Diablo 300: The Diablo 300 has more raw power and authority in bass delivery, but the AI 1.20 pairing has better bass quality (tautness, incisiveness, and control)
- Vs Nagra Classic integrated amplifier: For less money, the dual AI 1.20s offer a lot more amplifier
Takeaway: The Canor AI 1.20 is a well-built amplifier that offers a smooth, musical sound with high detail resolution. It is especially impressive when used as a monoblock pair, delivering serious performance for audiophiles.
Video review
Our take on the brand
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With the development of the Suolo and Pendant monos, we had worked to push the boundaries of what we were currently offering. The Mogwai SE Rev 2 became the 1st to benefit from the trickle-down development process. The work led to further transformer improvements. We proved that larger transformers yielded increased resolution, clarity, and flatter frequency response.
With a request of a long-time customer who wanted a power amp for his headphone and wanted the widest bandwidth we could produce; we set about resurrecting the Bigger Ben. To improve the Mogwai SE we needed to go bigger with everything. The PS capacitance was increased, the choke nearly doubled its filtering and our output transformers doubled in size. The larger core of the output transformers led to the ability to out even a great variety of output impedances.
Like many of our products, the Bigger Ben is a hybrid product, meant for both headphone and loudspeaker use. Our circuit offers the ability to roll a wide variety of tubes inexpensively and bring increased power to headphones without any sacrifice of design choices that conflict with our values. The Mogwai combines the features of a full-sized two-channel power amplifier and headphone amplifier in a chassis that is suitable for desktop use.
The Bigger Ben utilizes single-ended Class A operation with zero feedback to provide the essence of our Classic Wonder sound; strictly old school SET sound, without having to spend hundreds if not thousands of dollars on tubes. The performance of the Bigger Ben is made possible with custom wound ultra-high quality output transformers, which provide excellent frequency extension and a flat response.
The Bigger Ben displays its transformers prominently on the chassis. They're HUGE and frame in the tube complement, which can vary from a 6L6GC to a KT88. Volume control is handled by the ALPS volume pot to allow attenuation and simplify the signal path. The Bigger Ben differs from the Kenzie as it aims to provide powerful output while remaining true to classic tube design.
Product Strengths
- Very powerful amp with crazy headroom, capable of driving most headphones, including those that need a lot of power, and can grow with you as different headphones
- Delivers clarity, separation, detail, and impact, making every pair of headphones sound better
- Multiple impedance outputs allow dialing in the best sound for a given pair of headphones
- Super black background—very low noise floor
- A ton of different tubes can be rolled, including EL34s, KT66s, KT67s, KT88s, 6550s, and KT90s, making it very versatile and allowing customization of the sound to exact taste
Product Considerations
- Only one input via a pair of RCA connectors
- Requires a pre-amplifier or DAC with volume control if obtained without the volume pot
- May lack convenience features because of ampsandsound's minimalist philosophy
- Can be very heavy
Comparisons (according to reviewers)
- Vs Linear Tube Audio's Z10e: Z10e seemed more focused and brightly lit through the midrange
Takeaway: The Bigger Ben is a hugely versatile and powerful amplifier that could be an end-game amp, especially if you want to experiment with tube rolling. Its sound is detailed, clear, and engaging, making it a great choice for anyone who loves listening to music.
Video review
Our take on the brand
The amplifier is the interface between your signal sources and the speaker system, whatever is lost at this position is lost forever and conversely, whatever is introduced is also amplified. Amplifiers are also products for everyday use. Some successfully deviate from the conventional, they remind us of the strive for perfection – a human virtue we like to recognize and being close to.
There is a distinctive mood of luxurious puritanism to be found in the appearance of most Copland amplifiers. However, with the CTA407 tube amplifier we have compromised simplicity, introducing a fair deal of electronics supporting the audio stages of the amplifier. The forty LED diodes on the front panel (10 for each tube) are the visual part of the CTA407 tube bias and diagnostic system. And yes, the LEDs can be turned off if you don't want to read the status of your power tubes on the fly.
The CTA407 will automatically adjust for any tube in the 6550/KT88/KT120/KT150 family. The CTA407 servo system is not only a lossless automatization of the bias adjustment – it is an integrated part of the CTA407 internal high pass filtering, closely matched to the transfer function of the amplifying circuitry and a vast improvement to the overall fidelity of the amplifier.
The CTA407 employs five line-level inputs including a tape monitor loop and a built-in RIAA phono circuit accommodating moving magnet, as well as high output moving coil cartridges. It is a development of the CTA405 amplifier, an object of desire for audiophiles worldwide since its launch more than a decade ago.
The push pull output stages consist of a pair of matched power tubes in fixed ultra linear configuration, providing the low distortion of triodes and the power of tetrode valves. A pair of 6550 or KT-family tubes in push-pull configuration can deliver more than 100W of audio power. Moderating the power output, the CTA407 delivers 2x50W in high biased class A/AB mode. In practice, this means that the amplifier can deliver most its power in class A state.
Due to the quality of the output transformers, superb linearity is achieved before feedback is employed, reducing the requirements for internal lag compensation networks, and ensuring high stability after the 18dB negative feedback loop is closed. The CTA407 can provide an extraordinarily accurate reproduction of music without tendency towards listening fatigue, featuring strong dynamics and a wide flexibility in the choice of speakers.
The vanishing low perceived noise from the amplifier itself is a bliss, especially for owners of high efficiency speaker systems. The CTA407 employs motor driven volume control and can be fully controlled by the Copland RC102A remote control unit.
Our summary
Product Strengths
- The CTA407 balances accuracy and musicality, creating an amplifier that is greater than the sum of its parts.
- Utterly silent at idle, with neither noise from the amp itself nor through the speakers.
- It delivers the recording with surprising punch and attack within its power output limits.
- The amplifier is well-built, with every control feeling precise in use, exuding functionality.
- It offers a balanced, expressive, and composed performance.
Product Considerations
- The CTA407 is a big amplifier and requires plenty of room in any system.
- The buttons on the remote are prone to sticking.
- It has no headphone output.
- The moving magnet phono stage might not suit all users, as many prefer MM/MC onboard phono sections or separate phono stages.
Comparisons (according to reviewers)
- Vs Copland CTA405: The CTA407 traces back to the CTA405, specifically the CTA405 and not the CTA405a.
- Vs Copland CTA408: The CTA407 replaces both the 405a and the CTA408.
- Vs Yamaha A-S3200: The Copland amplifier doesn't have quite the same control over bass frequencies when playing loudly.
- Vs Audio Research I/50: The Copland amp seems more dynamic and plays with more authority in the bass range.
- Vs Rotel Michi X5: The Copland amplifier doesn't have the same endless power.
Takeaway: The Copland CTA407 delivers a sophisticated and controlled sound, with a rich and nuanced tonal character. It is a well-engineered tube amplifier that offers a balance of power and refinement for an engaging listening experience.
Video review
Our take on the brand
What competes at this price?
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Our Summary
Product Strengths
- Very fine sense of detail, especially in the midrange and treble
- Forward presentation makes instrumentalists and vocalists seem to step out in front of the speakers
- The controls have a luscious feel
- The amplifier is beautifully made with that thick gleaming fascia exciting unequivocal admiration
- Rhythmic nuances and microdynamics propelled musical lines along with foot tapping gusto
Product Considerations
- There's a small degree of hum from the mains transformer
- Can be fatiguing to listen to for long periods, especially with aggressive recordings
- Lacks the last word in texture and extension in the bass
- Doesn't present sharply defined three-dimensional images
Comparisons (according to reviewers)
- Vs Blue Circle BC3/BC3.1 and Muse 150 monoblock amps, EAR 834 has softer and less extended bass, slightly less overall detail and clarity, and a somewhat foreshortened soundstage
- Vs E.A.R. 802 preamp combined with a CLASSÉ CA 100 amplifier, the 802/CA 100 combination was quite similar in sound to the 834
Takeaway: The EAR 834 is beautifully made, looks great, and has a special sound that can really draw you into the music and make you feel like you are there. It is an integrated amplifier with a design that invites extended listening sessions.
Video review
Our take on the brand
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Our Summary
Product Strengths
- Detailed and airy treble provides a holographic and three-dimensional soundstage
- Musical, transparent, and realistic mid-range
- High-quality internal components are used, including expensive capacitors
- Class A performance with less heat compared to some other Class A amps
- Well-constructed and uses parts sourced from North America
- Only has RCA inputs, no balanced inputs
Product Considerations
- Bass quality may be perceived as loose or lacking control compared to some other amplifiers
- Pairing with the right preamp is crucial to achieve desired sound characteristics
Comparisons (according to reviewers)
- Vs Pass Labs XA-25, the TS-A20 has more detail and air in the treble, while the XA-25 is warmer and richer in the mid-band
- Vs AGD AGR2, the TS-A20 is richer and warmer, while the AGR2 has better bass articulation, quickness, and separation
Takeaway: The Galleon TS-A20 is a well-built Class A amplifier known for its detailed, airy sound and holographic imaging. It's a great option for listeners seeking a transparent and realistic sound signature with quality components.
Video review
Our take on the brand
Our Summary
Product Strengths
- Pellucid sound, rich tone, and textural detail are characteristic of a well-designed single-ended triode (SET) amplifier.
- Forceful and tuneful bass defies the stereotype of slow or puffy bass in SET amps.
- Expansive soundstage allows instruments and voices to float free of speakers.
- High build quality includes point-to-point wiring and quality components, such as an ALPS potentiometer and RealCap capacitors.
- Dynamic slam and a physically involving sound
Product Considerations
- The 845 tubes operate at high temperatures, potentially causing burns if touched and significantly increasing room temperature.
- No balance control
- Some found the stock tubes to impart an aggressive or steely tone that could be improved with tube rolling.
- Careful matching with speakers is required, one reviewer noted inexplicably harsh sound when paired with certain speakers.
Comparisons (according to reviewers)
- The LM-845IA has changes to internal components and redesigned output transformers, compared to the LM-518IA.
- The LM-845IA has a lighter touch and more refinement, while the Gold Note PA-10 monoblocks sound more solid in the bass.
- The LM-845iA offers a more powerful punch, while the Kora TB140 sounds lighter on its feet and faster.
- The Ayre EX-8 edges out the LM-845iA in clarity and detail.
- The Cambridge Audio Edge NQ sounds similar, but can't quite match the realism or the directness of the Line Magnetic.
Takeaway: The Line Magnetic LM-845IA is a powerful tube amplifier that offers a unique and engaging listening experience. It's a good choice for audiophiles who want a robust and resolving sound with dynamic contrasts.
Video review
Our take on the brand
Our Summary
Product Strengths
- Produces 48 watts of pure single-ended Class A power, suitable for low to medium sensitivity speakers
- Superbly well constructed with heavy gauge metal and no plastic; even the remote control is all metal
- Has a warm tonal balance with a full, harmonically rich midrange and no electronic glare, allowing for long listening sessions without fatigue
- Delivers a huge, massive soundstage that extends way beyond the speakers left and right—with immense soundstage depth
- Tube rolling can significantly improve its performance
Product Considerations
- The amplifier is quite heavy, weighing 42 kilograms (around 100 pounds), making it difficult to move
- Generates a lot of heat due to its Class A operation, requiring good ventilation and potentially increasing electricity bills
- The remote's volume adjustment jumps too much, making fine-tuning difficult
- Willsenton is not a brand with a long history, so long-term reliability is unknown, but the unit can be serviced in the owner's country
- The signal-to-noise ratio is higher compared to some other amplifiers
Comparisons (according to reviewers)
- Vs Willsenton R8: The R800i is better in all regards, more refined, with more midrange clarity and nuance in the bass
- Vs Hegel H190: The R800i has a thumping bassline, a colossal soundstage, and an acoustic mass in the midrange, while the Hegel H190 has greater clarity and tighter control in the bottom end
- Vs Sugden A21 Signature: The R800i is very Sugden-esque in its sonic character, and it reminds the reviewer a lot of the A21 Signature but with more power
- Vs Exposure 21 pre and 18 super monoblocks: R800i has bigger scale, adding harmonic richness
- Vs Luxman SQN150: The R800i's soundstage is double the size of the Luxman
Takeaway: The R800i is a powerful, well-built tube amplifier that delivers a warm, engaging sound with a massive soundstage, making it great for those who love a classic tube sound. With its ability to drive most speakers and potential for tube rolling, it is an amplifier that could be enjoyed for years to come.
Video review
Our take on the brand
Our Summary
Product Strengths
- Sweet sounding treble and expressive, emotional midrange
- Detailed across the board, and remarkably easy to listen to
- Strong rhythm, lively sound, excellent articulation, and a very good sense of being there
- Fast dynamics and good three dimensionality
- Voices and instruments are very naturally reproduced
- Connectivity options...
Product Considerations
- Fussy about speakers, ideally speakers should have a sensitivity rating of at least 90dB
- Outputs only 14W per channel, so partnering speakers must be compatible
- May lack a little bass and absolute power
- Not necessarily going to suit everyone's needs, it still has limitations, and will probably not suit those looking for a powerhouse amplifier or for playing rock or classical music at high levels
- Can develop a trace of hardness in loud passages that seems to restrict dynamics a little
Comparisons (according to reviewers)
- Vs Simply Italy, the Preludio is superior and is worth the extra over the cheaper model if funds permit
Takeaway: The Preludio is a well-built amplifier that offers a classy sound with good detail and natural voice reproduction. If partnered with compatible speakers, it can provide an intimate and emotive listening experience.
Video review
Our take on the brand
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