German HiFi Brands

Air Motion Transformers

ADAM Audio has been refining Air Motion Transformer technology for more than 25 years, and we employ it in every tweeter we manufacture. This sustained focus has led to a series of innovations which trickle down to every series in our portfolio. We have an expert team in Berlin that hand-folds these tweeters, and they are subject to rigorous QA before they are fitted to the loudspeakers.

Industrial Design

ADAM Audio loudspeakers have a strong and unique design language that stems from Berlin and the design team here. Every choice centers around acoustic performance, but the beveled edges, bespoke waveguides, and rounded ports combine to form striking products. For decades, the loudspeakers have been the focal point of studios worldwide, and in recent years they have been catching eyes in home audio systems.

Our Berlin-based customer support team handles hundreds of queries each month, ranging from pre-sales questions, troubleshooting and best practices, to repairs. They pride themselves on their response and success rate, and our customer feedback is overwhelmingly positive. ADAM Audio offers an industry-leading warranty of up to 5 years, and beyond that, our service team is always happy to repair products when possible. We have a wonderful dealer and distributor network who will always be happy to help if they can.

Max Cooper – Inanimate to Animate (highly recommended to listen in Dolby Atmos where possible!)

Gui Boratto – Mr. Decay (bass extension)

Pixies – Hey (dynamic range)

The resolution and conversion offered by Focusrite interfaces is second to none!

Firstly: Most prominently, our spherical horn technology with its precisely calculated wave-launch accounts for a unique appearance, outstanding (typically 104+ dBs/W/m) efficiency, and a favorably controlled sound dispersion in any room and environment. This gives our speakers an objet d'art character and makes amplifier choice a straightforward task: it’s all about sound quality, not about wattage.

Secondly: With launching the G3 series speakers, the range is optionally available in fully active versions, with the horn section powered by a breakthrough innovation regarding the membranes' displacement control: the proprietary iTRON current-drive amplifier technology. Executed in single-ended push-pull, fully Class-A, and zero-feedback topology, iTRON is the ideal and logical choice for offering not just conveniently connectable powered speakers but to consequently provide a musical experience beyond what is possible with customary voltage amplifier technology.

Our customer support consists of a network of stipulated regional service providers and a central coordinating office at the factory for prompting the most effective procedures. Standardly, our local instances will be the recommended and most effective support channel (e.g., because of a time zone offset to Germany), while in specific cases, e.g., with "vintage support," our own team of experienced specialists may of course be addressed for appropriate advice and servicing.

Showcasing the famous Allman Brothers Band in an astonishingly intimate frame, on stage in a rather small club (while filling stadiums, usually), is the track "In Memory Of Elizabeth Reed" from the record An Evening With The Allman Brothers Band – 2nd Set, recorded live in LA around 1992. Listened to by a dynamically capable and highly resolving speaker like from our range, the skillful, fun-driven playing, the vibrant atmosphere, and the cheering public make a "be there" experience par excellence. Ten minutes and fifteen seconds that fly.

Leopold Stokowski's famous Rhapsodies collection from 1960 (on Living Stereo, recorded at Manhattan Center) still holds surprises! While considered to be a "nice recording" anyway by many, especially true for the Liszt "Hungarian Rhapsody No.2," listeners who become exposed to the recording through our speakers realize far greater "ebb and flow" contrast in the orchestra's fantastic playing. At realistic concert level? As you please!

Meraki's "La Fong" track has driven people to tears (of joy…) where one would never think that this is the kind of music they'd fancy. Powerhouse electronic music that combines thrilling dynamics with a wonderful sense of space that does not merely scatter sounds into thin air but makes them glitter. A special, almost limitless trip when listened to by the right set of speakers.

Especially in combination with our iTRON amplifiers, the co-branding question does not need an "exclusive" answer. Rather, it deserves an "inclusive" answer, as the high degree of control over the musical result ensured by horns and current-drive has generated feedback from our network that attests many excellent (no matter if praised for a specific strength or for an overall sound balance) source components to make a truly "shining" contribution.

Started in the 80s, we’ve come to make everything. We can hand you a complete AVM system including speakers and amps.

A key focus now is all-in-one units. Meaning, integrated amp with streaming. The idea is you have a customer with taste who appreciates refinement, but they also don't want a stack of gear—they just want to add speakers and be done with it. (But we also make separates too for those who want that.)

Something we care a lot about with our all-in-ones is making sure the amplifiers are strong enough to drive pretty much any speaker. We also have multiple level settings on each amp. We make four lines of products—including amps going from $4K to $20K+. A wide range for budgets.

Our software is really strong. We care a lot about making our app very intuitive—great UX. We really care about that.

The Manger driver is a different technical principle.

It's quite a full-range driver, and the technical principle it uses is a so-called bending wave driver. You’ve probably read that my father invented this driver. He figured out that a conventional driver always has its own sound or footprint. By measuring, he saw that a classical driver always stores energy due to its construction. It behaves like a mass-spring system —so it's never quite as fast as the electronic signal. It introduces a kind of delay through mechanical energy storage. So, by the time the next change in the music or sound happens, the driver is still moving in another direction. Avoiding this transient behavior of the conventional driver —this energy storage—was the intention. This led to our core technology, the Manger sound transducer with its bending wave principle, which doesn’t store energy and covers a range from 360 Hz up to 45 kHz. If you read reviews, the conclusion is always the same: it’s very neutral and very natural.

Philosophy of neutrality and natural reproduction.

I always say the Manger is like food without additives. People know from eating or restaurants what “no additives” means—so they have a comparison. If you don’t have experience with natural sound—which means you’re not used to going to concerts with natural instruments—you have no reference. And if you compare our loudspeakers with other loudspeakers, they all sound different, but you don’t know which one is “right” and for sure it is also a matter of taste. There is something objective in the sound reproduction —how you can recognize things like imaging and the character of instruments, these are all so-called transients and the better a loudspeaker can reproduce this the more natural and lifelike the sound reproduction is perceived. But if you have a technical artifact in between—and mainly it’s the loudspeaker—then it’s not so direct. It is also less relaxing but fatiguing.

The best situation is always when the customer has a good relationship to the dealer. Sometimes, the customer invests so much time and gathers so much information that—depending on the dealer’s capabilities—the dealer may not know how to help. In such cases, the customer typically contacts the distributor. And if they’re still not satisfied, they can contact the manufacturer directly. I am always willing to answer any questions. This has to do with our philosophy, and also with the fact that we are not a big company. So everything is like a small restaurant: you talk directly to the cook. People feel good when their questions are answered seriously and competently.

• Birds — Dominique Fils-Aimé | Album: Nameless | Genre: Blues / Jazz / Soul
• October — Göteborgs Kammerkör | Album: Viska du Vind | Genre: Folk / World
• Malletoba Spank — Duke Ellington | Album: Ellington Jazz Party | Genre: Jazz
• Celestial Echo — Malia & Boris Blank | Album: Convergence | Genre: Pop
• Reflexion — Markus Stockhausen | Album: Sol Mestizo | Genre: World
• Wheels Turn Beneath My Feet — Fink | Album: Wheels Turn Beneath My Feet | Genre: Rock
• Various tracks | Album: Musik von einem anderen Stern | (Manger CD and LP sampler)

In my demonstrations and shows, I mainly pair with SPL (Sound Performance Lab). I really love this combination. For me, it’s always important to show the result to people—when everything is in balance, including the cost of the electronics and the cables. The products from SPL sound great. I also know that Accuphase fits very well, and of course, it's also a matter of taste. I have customers who pair with tube amplifiers as well.